Triumph
Triumph
artist

Triumph

Playlist Risks
Listeners
590,230/mo
Followers
551,239
Est. Royalties
$1,708 - $6,832/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

CAToronto, CA17,573
USChicago, US11,656
CAMontreal, CA10,789
CACalgary, CA8,454
CABrampton, CA7,693

Playlist Summary

Overview of this artist's relationship with playlists
26,831
Playlist adds
0
High-risk playlist adds
6,964,120
Playlist follower reach (sum)
195,180+
Listeners from playlists
Estimated
33.1%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

The Triumph line-up – Rik Emmett, Gil Moore, and Mike Levine – rocked the world, and in the process, gave us countless classic hard rock anthems Fight the Good Fight, Hold On, Magic Power, I Live for the Weekend, Lay It On the Line, and Rock & Roll Machine and stand out albums like Just a Game, Progressions of Power, Allied Forces, Never Surrender, Thunder Seven. Originally formed in 1975 and hailing from Mississauga, Ontario, Canada, the trio was always proud of their Great White North roots. Seemingly ever since their inception, Triumph was on the cutting edge of technology when it came to their live show – particularly lighting, sound, and effects. Sophisticated lasers, pyrotechnics and moving lighting rigs, all computer-controlled – Triumph was one of the first arena rock bands to incorporate all of these elements into their shows. Triumph’s headlining tours were legendary, and the band was featured on many memorable stadium/outdoor shows – including the US Festival, the World Series of Rock, the American Rock Festival, Texas Jam, and Day on the Green, to name but a few. The must see new documentary ‘Triumph: Rock & Roll Machine’ delivers on revisiting a band that sold millions of albums, played for millions of fans, and never put themselves above their audience. “I can’t wait for the public to see the film and hear what they think of it,” says Levine. “Trust me…the wait will be worth it!”

Updated Sep 18, 2026, 6:05 PM
First discovered Jul 17, 2026, 7:25 PM