Triumph

Triumph
Triumph
artist
artist.tools
Playlist Risks
Listeners
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

CAToronto, CA17,791
USChicago, US13,059
CAMontreal, CA10,139
USDallas, US8,935
USMilwaukee, US8,623

Playlist Summary

Overview of this artist's relationship with playlists
32,158
Playlist adds
0
High-risk playlist adds
7,117,724
Playlist follower reach (sum)
195,080+
Listeners from playlists
Estimated
30.4%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

The Triumph line-up – Rik Emmett, Gil Moore, and Mike Levine – rocked the world, and in the process, gave us countless classic hard rock anthems Fight the Good Fight, Hold On, Magic Power, I Live for the Weekend, Lay It On the Line, and Rock & Roll Machine and stand out albums like Just a Game, Progressions of Power, Allied Forces, Never Surrender, Thunder Seven. Originally formed in 1975 and hailing from Mississauga, Ontario, Canada, the trio was always proud of their Great White North roots. Seemingly ever since their inception, Triumph was on the cutting edge of technology when it came to their live show – particularly lighting, sound, and effects. Sophisticated lasers, pyrotechnics and moving lighting rigs, all computer-controlled – Triumph was one of the first arena rock bands to incorporate all of these elements into their shows. Triumph’s headlining tours were legendary, and the band was featured on many memorable stadium/outdoor shows – including the US Festival, the World Series of Rock, the American Rock Festival, Texas Jam, and Day on the Green, to name but a few. The must see new documentary ‘Triumph: Rock & Roll Machine’ delivers on revisiting a band that sold millions of albums, played for millions of fans, and never put themselves above their audience. “I can’t wait for the public to see the film and hear what they think of it,” says Levine. “Trust me…the wait will be worth it!”

Updated Nov 4, 2026, 11:31 PM
First discovered Jul 17, 2026, 7:25 PM