They Owe Us

They Owe Us
They Owe Us
artist
artist.tools
Playlist Risks
Listeners
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners2,868-34.9%7dListeners from Playlists1,670-0.6%7dChangeN/A—

Series

  • Monthly Listeners
  • Listeners from Playlists
  • Change

Discography

Their catalog as it appears on their public Spotify artist profile
4
Albums
0
EPs
17
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View They Owe Us' most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB69
SEStockholm, SE63
SEGothenburg, SE49
AUMelbourne, AU41
DEBerlin, DE34

Playlist Summary

Overview of this artist's relationship with playlists
358
Playlist adds
0
High-risk playlist adds
110,850
Playlist follower reach (sum)
1,670+
Listeners from playlists
Estimated
58.2%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

They Owe Us, the artist project of musician and producer Kristoffer Ragnstam, has never been one to chase the spotlight. Yet, in peaking behind the curtain of his two decade long career in the alternative music scene, his curiosity has led him to explore unexpected territories, whether headlining his own tours or in sharing stages with the likes of Debbie Harry, Mumford & Sons, and kanekoayano in supporting roles. His mantra: following songs wherever they lead, even if, and especially when, the path feels uncertain. Notably, his work has reached #1 on the Billboard charts in Japan and landed in the Top 30 of U.S. college radio (NACC) with All on RED, proof that even less brazen voices can travel just as far. This autumn, the Swedish musician returns with a brand new album, Katzengold, out for release on September 25, 2026, a musical experience that finds him chasing, intervening, drifting and slipping into chaos, yet miraculously arriving headfirst on the other side. Though he may never be interested in the spotlight itself, Kristoffer has learned a thing or two about meeting whatever comes his way, whether that pulls him closer to the stage or further into the deep end. It’s exactly in that tension where his music becomes embodied: somewhere between losing the plot and finding out the story would have unfolded exactly the way it has anyway.

Updated Nov 14, 2026, 1:29 AM
First discovered Aug 23, 2026, 6:30 PM