Bobby Day

Bobby Day
Bobby Day
artist
artist.tools
Playlist Risks
Listeners
629,109/mo
Followers
37,836
Est. Royalties
$2,529 - $10,116/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
2
Albums
0
EPs
5
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Bobby Day's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB8,040
AUMelbourne, AU6,783
USChicago, US6,680
AUSydney, AU6,628
USLos Angeles, US6,022

Playlist Summary

Overview of this artist's relationship with playlists
35,692
Playlist adds
2
High-risk playlist adds
13,230,378
Playlist follower reach (sum)
340,830+
Listeners from playlists
Estimated
54.2%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

An important cog in Los Angeles' doo wop community during the '50s, Bobby Day wrote three often-covered early rock classics in 1957-1958. Day was part of the Hollywood Flames, one of the area's top R&B vocal groups, and briefly part of Bob & Earl, later to hit without Day on "Harlem Shuffle." Day formed his own group, the Satellites, in 1957, cutting the original "Little Bitty Pretty One" for Class Records. A nearly identical cover by Thurston Harris beat the original out, so Day countered with the driving "Rockin' Robin" in 1958, an R&B chart-topper. Its flip, "Over and Over," was a hit in its own right, although the Dave Clark Five's 1965 revival is better remembered today. Day waxed a few more hits for Class in 1959, including "That's All I Want" and a derivative "The Bluebird, the Buzzard & the Oriole," flitting from label to label during the '60s. ~ Bill Dahl, Rovi

Updated Nov 2, 2026, 7:33 AM
First discovered Sep 29, 2026, 7:26 AM