Snooks Eaglin

Snooks Eaglin
Snooks Eaglin
artist
artist.tools
Playlist Risks
Listeners
45,017/mo
Total Streams
43,833,466
Followers
28,589
Est. Royalties
$182 - $727/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
10
Albums
0
EPs
0
Singles
43,833,466
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB774
USLos Angeles, US578
AUMelbourne, AU571
USNew York City, US555
AUSydney, AU541

Playlist Summary

Overview of this artist's relationship with playlists
5,999
Playlist adds
0
High-risk playlist adds
774,800
Playlist follower reach (sum)
9,170+
Listeners from playlists
Estimated
20.4%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

When they referred to consistently amazing guitarist Snooks Eaglin as a human jukebox in his New Orleans hometown, they weren't dissing him in the slightest. The blind Eaglin was a beloved figure in the Crescent City, not only for his gritty, Ray Charles-inspired vocal delivery and wholly imaginative approach to the guitar, but for the seemingly infinite storehouse of oldies that he was liable to pull out on-stage at any second -- often confounding his bemused band in the process! His earliest recordings in 1958 for Folkways presented Eaglin as a solo acoustic folk-blues artist with an extremely eclectic repertoire. His dazzling fingerpicking was nothing short of astonishing, but he really wanted to be making R&B with a band. Imperial Records producer Dave Bartholomew granted him the opportunity in 1960, and the results were sensational. Eaglin's fluid, twisting lead guitar on the utterly infectious "Yours Truly" (a Bartholomew composition first waxed by Pee Wee Crayton) and its sequel, "Cover Girl," was unique on the New Orleans R&B front, while his brokenhearted cries on "Don't Slam That Door" and "That Certain Door" were positively mesmerizing. Eaglin stuck with Imperial through 1963, when the firm closed up shop in New Orleans, without ever gaining national exposure. Eaglin found a home with Black Top Records in the 1980s, releasing four albums with the label, including 1988's Out of Nowhere (re-released on CD by P-Vine in 2007) and 1995's Soul's Edge. In 2003 P-Vine put out Soul Train from Nawlins, an album drawn from a live set Eaglin did at 1995's Park Tower Blues Festival. A collection of Eaglin's earliest recordings, all done on acoustic guitar, was released in 2005 by Smithsonian Folkways as New Orleans Street Singer. Snooks Eaglin continued performing and recording into the 21st century -- including his final album, 2002's The Way It Is -- and near the end of his life few knew that he had been diagnosed with prostate cancer; Eaglin was admitted to New Orleans' Ochsner Medical Center in February 2009, where he died of a heart attack on the 18th of that month at age 73. ~ Bill Dahl, Rovi

Updated Nov 1, 2026, 8:34 PM
First discovered May 23, 2026, 9:32 AM