Casiotone For The Painfully Alone

Casiotone For The Painfully Alone
Casiotone For The Painfully Alone
artist
artist.tools
Playlist Risks
Listeners
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners40,345+2.8%7dListeners from Playlists2,8400.0%7dChangeN/A—

Series

  • Monthly Listeners
  • Listeners from Playlists
  • Change

Discography

Their catalog as it appears on their public Spotify artist profile
8
Albums
1
EPs
0
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Casiotone For The Painfully Alone's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USNew York City, US1,028
USChicago, US913
USBrooklyn, US874
GBLondon, GB871
USLos Angeles, US827

Playlist Summary

Overview of this artist's relationship with playlists
4,758
Playlist adds
0
High-risk playlist adds
361,633
Playlist follower reach (sum)
2,840+
Listeners from playlists
Estimated
7.0%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Casiotone for the Painfully Alone was the lo-fi solo project of Owen Ashworth, a Portland-based songwriter who mixed sensitive Bright Eyes-styled balladry with Atom & His Package battery-operated antics. His weapons of choice were the Casio SK-1 and several hot rod Casiotones, while his lyrics were a coy-edged blend of Stephin Merritt's sarcasm and the Mountain Goats' earnestness. Ashworth released his first recording, 1999's Answering Machine Music: A Brief Album in Twelve Parts -- loosely a concept album of clever musical voice mails -- on his own label, Cassingle USA. Some of the tracks, including "Theme from David Hanna," were first recorded into his machine. Pocket Symphonies for Lonesome Subway Cars followed in 2001 on the Tomlab label and featured several "real" instruments, including cello and drums. Twinkle Echo arrived in 2003, and 2006's Etiquette expanded Ashworth's sound even further by adding more analog instruments. While remixing songs for the likes of Dudley Benson and Headlights, Ashworth found time to continue his work with Casiotone for the Painfully Alone, whose fifth album (the diverse Vs. Children) arrived in early 2009. Ashworth retired CftPA, as well as all of the songs he wrote under the moniker, at the end of 2010. The following year, he began a new project, Advance Base, which relied less on cheap electronic instruments and reflected his continued growth as a songwriter and arranger. Ashworth has also contributed to Mark Kozelek's band Sun Kil Moon. ~ Daphne GA Carr, Rovi

Updated Nov 15, 2026, 4:00 AM
First discovered Oct 26, 2026, 1:10 AM