Supergroove

Supergroove
Supergroove
artist
artist.tools
Playlist Risks
Listeners
85,557/mo
Total Streams
32,165,044
Followers
46,292
Est. Royalties
$415 - $1,661/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
3
Albums
1
EPs
0
Singles
32,165,044
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Supergroove's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

NZAuckland, NZ25,785
NZChristchurch, NZ7,841
NZWellington, NZ6,390
NZHamilton, NZ6,165
AUBrisbane, AU5,978

Playlist Summary

Overview of this artist's relationship with playlists
3,880
Playlist adds
0
High-risk playlist adds
650,470
Playlist follower reach (sum)
7,760+
Listeners from playlists
Estimated
9.1%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

This New Zealand group was formed from the ashes of the Low Down Dirty Blues Band, a high school ensemble led by singer-songwriter Karl Steven and bass player Joe Lonie that specialized in horn-dominated rock and cover versions of material from The Blues Brothers. They evolved into Supergroove in 1993, enjoying immediate success when their debut single, ‘Here Comes The Supergroove’, became the first in a series of chart successes. The sound on their debut album, Traction, offered a sumptuous, mature blend of blues, funk, soul and metal, ensuring the group received further critical approbation. Public reaction was strong too, the 65, 000 units sold being equivalent to quadruple platinum status in New Zealand. However, while touring during 1995, the group elected to steer a path closer to traditional rock, resulting in the departure of singer/rapper Che Fu (who enjoyed subsequent solo success) and trumpeter Tim Stewart. The group’s brass section was effectively stood down with the decision to move saxophonist Nick Atkinson to keyboards. Backspacer was part of a conscious effort by the group to secure a global following. Now managed by Ted Gardener (a veteran of work with PiL, Echo And The Bunnymen and New Order), he helped them develop strategies for selling to South-East Asia (the group are particularly popular in Indonesia) as well as Europe and the USA.

Updated Oct 7, 2026, 4:53 AM
First discovered Aug 15, 2026, 4:39 AM