Orlando

Orlando
Orlando
artist
artist.tools
Playlist Risks
Listeners
8,215/mo
Total Streams
36,419,346
Est. Royalties
$22 - $87/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
11
Albums
2
EPs
15
Singles
36,419,346
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Orlando's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

ESMadrid, ES269
BRSão Paulo, BR102
ESBarcelona, ES98
AUSydney, AU95
AUBrisbane, AU88

Playlist Summary

Overview of this artist's relationship with playlists
898
Playlist adds
0
High-risk playlist adds
194,585
Playlist follower reach (sum)
1,700+
Listeners from playlists
Estimated
20.7%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

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Biography & Metadata

The creation of songwriter/guitarist Richard ‘Dickon’ Edwards (b. 3 September 1972, Bildeston, Suffolk, England), this London, England-based band’s original personnel comprised drama school graduate, former funeral director and singer Timothy Mark Chipping, Simon Kehoe, and guitarist Stephen Jefferis. This line-up was eventually reduced to the core duo of Edwards and Chipping, although keyboard player Sean Turner was a brief collaborator. Edwards and Chipping made a colourful debut in 1995 with the single ‘Reproduction Is Pollution’. Credited to Shelley, it was released on cult independent label Sarah Records and attacked the unjustified propagation of the species in the light of over-population statistics. Their debut single as Orlando, ‘Just For A Second’, was released in the spring of 1996 for Blanco y Negro. The b-side featured a spoken extract from their first major press interview, with weekly music paper Melody Maker. Orlando was regularly championed by the paper’s Simon Price as leaders of the over-hyped and short-lived ‘Romo’ movement, which attempted to resurrect the spirit of new romanticism. They then toured the UK as part of the ill-fated Club Skinny package tour with Plastic Fantastic. Their 1997 debut, Passive Soul, was a flawed collection of soul-drenched modern pop songs, distinguished by Chipping’s aching vocals and Edwards’ witty, literate lyrics. Edwards left shortly after the album’s release to set up Fosca. Chipping carried on recording as Orlando on the Company Communications label, before finally dissolving the band in April 2000.

Updated Sep 23, 2026, 5:59 PM
First discovered Aug 31, 2026, 3:31 PM