Prince Alla

Prince Alla
Prince Alla
artist
artist.tools
Playlist Risks
Listeners
32,264/mo
Total Streams
22,221,398
Followers
23,334
Est. Royalties
$106 - $423/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
8
Albums
11
EPs
59
Singles
22,221,398
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Prince Alla's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB1,652
BRSão Paulo, BR759
MXMexico City, MX404
USLos Angeles, US315
BRItabuna, BR261

Playlist Summary

Overview of this artist's relationship with playlists
3,263
Playlist adds
0
High-risk playlist adds
504,838
Playlist follower reach (sum)
2,970+
Listeners from playlists
Estimated
9.2%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Anthony Mullings, 10 May 1950, Denham Town, Kingston, Jamaica, West Indies. Blake began his recording career with producer Joe Gibbs as part of the Leaders vocal group during 1967/8. Gibbs licensed three releases from the group through B&C Music in the UK before the Leaders disbanded. Blake remained with Gibbs, who produced his first solo recording, ‘Woo Oh Oh’, which, like the early Leaders recordings, was relegated to a b-side. In 1969, he became strongly involved in the Rastafarian movement, living in the island’s camp community until the mid-70s, when he re-emerged through Bertram Brown’s Freedom Sounds with a series of records that have since proved landmarks in the history of roots music. As Prince Allah, he recorded ‘Sun Is Shining’, ‘Mama Don’t Fight’ and ‘Come Away’, all featured on the Ethiopian Kings compilation, which described him as: ‘The singer that has ability to capture the musicians, and have them play whatever he wants. A truly talented young man. With great promise for the future’. The prediction proved to be true, with classic recordings over the following years, such as ‘Bucket Bottom’, ‘Lot’s Wife’, ‘Stone’, and ‘Nah Go A Funeral’, the latter marking a reunion with Gibbs. He continued sporadically to release material throughout the late 70s and early 80s, and in 1996/7 a retrospective compilation of his Freedom Sounds work appeared through the archive label established by members of Simply Red.

Updated Nov 2, 2026, 12:28 AM
First discovered Aug 20, 2026, 11:40 PM