Roger Quilter

Roger Quilter
Roger Quilter
artist
artist.tools
Playlist Risks
Listeners
11,655/mo
Total Streams
44,397,532
Est. Royalties
$49 - $196/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
22
Albums
0
EPs
2
Singles
44,397,532
Total Streams

Genres

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View Roger Quilter's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB334
USNew York City, US156
AUSydney, AU132
AUMelbourne, AU127
USLos Angeles, US95

Playlist Summary

Overview of this artist's relationship with playlists
1,106
Playlist adds
0
High-risk playlist adds
147,009
Playlist follower reach (sum)
1,920+
Listeners from playlists
Estimated
16.5%
Of listeners from playlists
Estimated

Playlist Movement

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Biography & Metadata

English composer Roger Quilter remains known primarily for his distinguished art song output, although he also produced choral, instrumental, and stage works. He had to work hard at composition, for it never came naturally, but his output shows a composer with exceptional sensitivity and seemingly effortless grace. Indeed, he was a fan of light and graceful music, from Schubert to Maude Valérie White to Gershwin. Quilter never had to make a living, but he was a philanthropic artist, helping to found and administer the Musicians' Benevolent Fund, as well as privately aiding his colleagues. After a productive and benevolent artistic life, Quilter experienced a period of mental decline that ended with his death. Quilter was educated at prestigious Eton College, later going abroad to Germany to study with Ivan Knorr at Frankfurt's Hoch Conservatory. All students in Frankfurt in the 1890s, Percy Grainger, Cyril Scott, Norman O'Neill, Balfour Gardiner, and Quilter became known as the "Frankfurt Group." As a song composer, Quilter became well established in 1900 when Denham Price gave a performance of his Songs of the Sea at the Crystal Palace in London, and also when tenor Gervase Elwes premiered To Julia in 1905 and Seven Elizabethan Lyrics in 1908. On occasion Quilter would accompany his songs in public performance, and he did record many of them with close friend and colleague Mark Raphael. His only attempt at opera, Julia (1936), was a failure, but several pieces from it were extracted and published as separate songs (e.g., Love at the Inn). His light orchestral music was more successful, including A Children's Overture (1919), written for the Promenade Concerts and conducted by Henry Wood. That work and Quilter's popular incidental music for the fairy play Where the Rainbow Ends (1911) were both inspired by Walter Crane's illustrated book of nursery rhymes, Baby's Opera. Still, it is his songs (more than 100 of them) upon which Quilter's reputation was based, and for which he will continued to be remembered quite fondly.

Updated Sep 22, 2026, 9:26 PM
First discovered Aug 26, 2026, 9:15 PM