Horace Martin

Horace Martin
Horace Martin
artist
artist.tools
Playlist Risks
Listeners
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners18,075+1.6%7dListeners from Playlists1,710-1.7%7dChangeN/A—

Series

  • Monthly Listeners
  • Listeners from Playlists
  • Change

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

MXMexico City, MX2,803
BRSão Paulo, BR989
BRFortaleza, BR582
MXCiudad Nezahualcoyotl, MX303
CLSantiago, CL247

Playlist Summary

Overview of this artist's relationship with playlists
1,176
Playlist adds
0
High-risk playlist adds
168,134
Playlist follower reach (sum)
1,710+
Listeners from playlists
Estimated
9.5%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Martin was an underrated singer who released a large number of recordings but received little recognition. He began his recording career in 1980 with Robert Palmer’s Negus Roots, releasing ‘Zuggy Zuggy’ and ‘Sweet Something’, while with the fiercely unconstrained Big Ben label he released ‘Africa Is Calling’, ‘We Are All One’, ‘Beautiful Dream’ and ‘Jah Jah Children’. Throughout the 80s he maintained a high profile as a singles artist, although he was unable to achieve crossover success. In 1985 his fortunes changed when he recorded ‘War’, produced by veteran DJ Jah Thomas over the legendary Stalag rhythm. The song led to sessions with Prince Huntley, whose print shop Modernize Printery led to the formation of his Modernize Music and Greedy Puppy labels. Huntley had recorded ‘Pressure In A Babylon’ but found greater success as a producer. Martin recorded a succession of hits for Huntley, including ‘Na Fry No Fat’, ‘Sonia’ and ‘Mi Rule’. The popularity of Patrick Andy’s ‘Sting Me A Sting’ led Martin to respond with ‘Shock Me A Shock’. In 1987 he recorded for Harold McLarty the hit ‘Type Of Loving’, which featured the fledgling DJ skills of Tiger, supported by the Riddim Kings Band. The release gave Martin the wider exposure he deserved, although this was overshadowed by the unprecedented demand for the newly acclaimed DJ. Martin followed his hit with the less successful ‘Can’t Get Used To Losing You’, which heralded a return to anonymity.

Updated Nov 10, 2026, 11:47 PM
First discovered Aug 18, 2026, 5:00 PM