The White Buffalo

The White Buffalo
The White Buffalo
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners1,007,215-0.3%7dListeners from Playlists192,610-5.3%7dChangeN/A—

Series

  • Monthly Listeners
  • Listeners from Playlists
  • Change

Discography

Their catalog as it appears on their public Spotify artist profile
10
Albums
4
EPs
32
Singles
741,352,481
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

BRSão Paulo, BR34,424
TRIstanbul, TR18,846
BRBelo Horizonte, BR13,816
BRCuritiba, BR12,469
BRBrasília, BR11,113

Playlist Summary

Overview of this artist's relationship with playlists
52,589
Playlist adds
1
High-risk playlist adds
9,643,987
Playlist follower reach (sum)
192,610+
Listeners from playlists
Estimated
19.1%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

For The White Buffalo – aka singer / songwriter / guitarist Jake Smith, Oregon-born, Southern California-raised – it was time to take the less travelled path; to assemble notions for studio album Number 8, the follow-up to ‘On The Widow’s Walk’ (Snakefarm, 2020), and embark on a voyage of discovery. 
 Enter ‘Year Of The Dark Horse’… 
 When Jake, flanked by regular touring / recording compadres, bassist / keyboard player / guitarist Christopher Hoffee and drummer Matt Lynott, crossed the threshold of East Nashville’s Neon Cross Studio, a converted Southern Baptist Church, he wasn’t chapter an’ verse prepared, as usual. 
 For ‘Year Of The Dark Horse’ to achieve its full potential, Jake knew the experience had to be immersive, which is why the Nashville location proved crucial. Not only were the three musicians away from the lures of home, but the house they all stayed in was just a block from the studio, and filled with a variety of instruments. Wherever they were, they could hone in on the project, and some of the songs came together while the clock was ticking… 
 Over the years, Jake has built a second-to-none reputation for the emotional weight of his music, and here this core element dramatically underpins a body of work that allows the imagination of the listener to play an important part throughout, building on a tale of debauchery. 
 Which effectively sums up ‘YOTDH’ as a whole, The White Buffalo’s most unpredictable and inventive work to date.

Updated Nov 11, 2026, 9:15 PM
First discovered Mar 5, 2026, 8:18 AM