Shades

Shades
Shades
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners51,006+39.3%7dListeners from Playlists4,120+74.6%7dChangeN/A—

Series

  • Monthly Listeners
  • Listeners from Playlists
  • Change

Discography

Their catalog as it appears on their public Spotify artist profile
2
Albums
5
EPs
15
Singles
19,647,397
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB1,330
USDenver, US1,289
USLos Angeles, US883
USChicago, US713
NZAuckland, NZ667

Playlist Summary

Overview of this artist's relationship with playlists
7,182
Playlist adds
1
High-risk playlist adds
1,082,960
Playlist follower reach (sum)
4,120+
Listeners from playlists
Estimated
8.1%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Alix Perez (Belgium/UK) and Eprom (USA) are SHADES. Perez found his rise to fame in drum n bass, releasing on Shogun Audio, Exit Recordings amongst many other labels and collaborating with the foremost names in dance and electronic music such as Noisia, Foreign Beggars, dBridge, and many more. Eprom gained his well-deserved success through his innovative take on bass music, a unique sound that has the likes of Gaslamp Killer, Kutmah, D-Styles singing his praises and supporting his music. SHADES exemplifies slanted grooves, a deep pocket and hard yet graceful composition. The debut self-titled EP (released on Alpha Pup) is a truly unique body of work. Aware of each other's music for some time before meeting, Perez and Eprom first crossed paths at the 2013/2014 Northern Bass festival in New Zealand. The following summer they met again at the Red Bull Studios LA producing the Foreign Beggars’ Modus EP. This initial studio session led to further collaborations and SHADES was born. XLR8R have rightly said “music that's not only a legitimate full-frontal assault in the same vein as tunes from that golden era of gluttonous bass and synths, but that embraces that ethos while giving it a more polished feel”.

Updated Nov 12, 2026, 8:57 PM
First discovered Jul 2, 2024, 7:05 PM