Concerto Italiano

Concerto Italiano
Concerto Italiano
artist
artist.tools
Playlist Risks
Listeners
74,574/mo
Total Streams
1,091,985,770
Followers
11,801
Est. Royalties
$216 - $864/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
91
Albums
0
EPs
18
Singles
1,091,985,770
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Concerto Italiano's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

ESMadrid, ES1,473
MXMexico City, MX1,415
GBLondon, GB986
FRParis, FR951
NLAmsterdam, NL863

Playlist Summary

Overview of this artist's relationship with playlists
268
Playlist adds
0
High-risk playlist adds
167,486
Playlist follower reach (sum)
1,820+
Listeners from playlists
Estimated
2.4%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Concerto Italiano is a Baroque music group consisting of both a vocal and an orchestral ensemble. After gaining recognition in Europe, it has toured throughout the world and taken on major recording projects. In 2022, the group issued a recording of music by Vivaldi and Bach. Concerto Italiano was founded in 1984 by harpsichordist Rinaldo Alessandrini. The group gave its debut concert in Rome in 1984 in a performance of Francesco Cavalli's opera La Calisto, under the direction of Alessandrini, who has served as the group's music director since its founding. For the first decade of its existence, it was a vocal group only, known for performances of Monteverdi madrigals and the operas and oratorios of Handel, A. Scarlatti, and other Baroque composers. During this decade, the group gradually built up a reputation in Europe as one of Italy's finest Baroque vocal ensembles. It drew broad international notice for a recording of Monteverdi's Fourth Book of Madrigals, which received a 1994 Gramophone Award, the first of five. The following year, Alessandrini formed the orchestral ensemble. In 1997, the vocal ensemble debuted in Japan, drawing lavish reviews. The orchestral ensemble drew an equally enthusiastic response for its American debut in 1999 at Lincoln Center. That tour also included concerts in South America, Japan, and parts of Europe. After the orchestral arm of Concerto Italiano was founded, the ensemble began taking particular interest in the instrumental and operatic works of Vivaldi. In the 2000s, Concerto Italiano engaged in a massive project with the label Naïve to record all of the operas and concertos of Vivaldi. The ensemble has also devoted time to the works of J.S. Bach, Pergolesi, and lesser-known composers such as Giovanni Legrenzi and Francesco Cavalli. In 2000, the group drew acclaim for its Bach performances at the Tokyo Opera City Concert Hall. On rare occasions, the group has ventured beyond Baroque repertory, most notably in an acclaimed 2001 recording of Rossini arias with soprano María Bayo. Concerto Italiano recordings have primarily been released by Naïve and its subsidiary Opus 111, although some of the older recordings are available on Brilliant Classics. The most recent of the group's Gramophone Awards came in 2015 for the album Monteverdi: Vespri solenni per la festa di San Marco. In 2017, the ensemble put on a world tour performing Monteverdi's Vespers of 1610 to celebrate the 450th anniversary of the composer's birth. In 2019, Concerto Italiano released an album of Bach overtures and issued a recording of Monteverdi's third book of madrigals the following year. The group returned in 2022 with a recording of music by Vivaldi and Bach. ~ Robert Cummings, Rovi

Updated Nov 2, 2026, 11:42 PM
First discovered Aug 18, 2026, 5:41 PM