Lee Adams

Lee Adams
Lee Adams
artist
artist.tools
Playlist Risks
Listeners
1,394/mo
Est. Royalties
$5 - $20/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
3
Albums
0
EPs
0
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Lee Adams' most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USNew York City, US55
USChicago, US32
USLos Angeles, US28
USBrooklyn, US27
USPhiladelphia, US21

Playlist Summary

Overview of this artist's relationship with playlists
5
Playlist adds
0
High-risk playlist adds
237
Playlist follower reach (sum)
0
Listeners from playlists
Estimated
0.0%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

b. 14 August 1924, Mansfield, Ohio, USA. A notable lyricist and librettist for the musical theatre, after studying at the Ohio State University and at Columbia University’s Pulitzer School of Journalism in New York, Adams worked for a time in the newspaper and magazine business before meeting composer Charles Strouse in 1949. During the 50s the new team wrote material for a great many summer resort revues, and contributed to the New York production Shoestring ’57. In 1960 they wrote the complete score for Bye Bye Birdie which ran for 607 performances and starred Dick Van Dyke and Chita Rivera. Two years later, their All American could only manage 80 performances, although it contained the lovely ‘Once Upon A Time’, which was introduced by Ray Bolger and Eileen Herlie. After collaborating with Jerry Herman on just one song - ‘Before The Parade Passes By’ - for his smash hit, Hello, Dolly! (1964), Adams and Strouse endured mixed fortunes during the next few years. Golden Boy, starring Sammy Davis Jnr. and Billy Daniels, ran for 569 performances, It’s A Bird, It’s A Plane, It’s Superman could only manage 129, but Applause (1970), a vehicle for the Hollywood legend Lauren Bacall, gave the songwriters their second hit and stayed around for over two years. In the 70s and 80s, it was downhill all the way for Adams and Strouse, although the latter was more successful with other collaborators. I And Albert was dismissed by London audiences after only three months, A Broadway Musical gave just one performance at the Lunt-Fontanne Theatre in New York in 1978, and an attempt to cash in on a previous success with Bring Back Birdie was given the bird and folded after four nights. Adams turned to Mitch Leigh, the composer of Man Of La Mancha, a show that had run for well over 2, 000 performances in the 60s, but their attempt to musicalize a biography of the legendary producer Michael Todd, which they called Mike, closed during its pre-Broadway try-out in 1988. Not to be outdone, five years later they managed to stage it in New York under the title of Ain’t Broadway Grand, but it only ran for 25 performances. Lee Adams was inducted into the Songwriters Hall of Fame in 1989.

Updated Oct 13, 2026, 4:46 PM
First discovered Sep 28, 2026, 4:17 PM