Trixie Whitley

Trixie Whitley
Trixie Whitley
artist
artist.tools
Playlist Risks
Listeners
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
6
Albums
2
EPs
15
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Trixie Whitley's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

BEBrussels, BE3,106
BEAntwerp, BE2,661
BEGhent, BE2,594
NLAmsterdam, NL1,500
BEBruges, BE594

Playlist Summary

Overview of this artist's relationship with playlists
2,317
Playlist adds
0
High-risk playlist adds
418,152
Playlist follower reach (sum)
2,670+
Listeners from playlists
Estimated
4.8%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

From a very young age, Trixie Whitley nurtured a singular creative spirit, springing from her restless inner directive. At the age of three, she made her onstage debut alongside her father, the internationally acclaimed singer-songwriter Chris Whitley. Never resting on her lineage, Trixie set out to craft a unique personal and artistic identity. That all comes to glorious fruition on her new EP, Dragon of Everything, which touches on everything from maternal love to loss of bodily autonomy. It was named, quite aptly, after an illustration by her daughter that also graces the cover of the record. “I need to listen to my womb — my gut,” she says. That’s a big part of these recordings.” A life-long musician who has been drumming since she 10, Whitley struck out on her own after touring with Daniel Lanlois and Black Dub in 2013. She’s since released three EPs and LPs, toured the world, and collaborated with the likes of Robert Plant, Marianne Faithful, and Meshell Ndegeocello. Dragon of Everything marks a shift from Whitley’s last release, 2019’s Lacuna, which was a nod to her “rave kid” past. “I've always had a deep, deep love for heavy rhythm music and dance music,” she says. “Electronic sounds and very organic, primal sounds.” This time, though she wanted to go all in organic.

Updated Nov 2, 2026, 10:54 PM
First discovered Nov 2, 2026, 10:54 PM