Cloud Management

Cloud Management
Cloud Management
artist
artist.tools
Playlist Risks
Listeners
1,229/mo
Est. Royalties
$5 - $19/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
3
Albums
2
EPs
9
Singles
148,919
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Cloud Management's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

JPTokyo, JP36
USBrooklyn, US25
AUMelbourne, AU22
GBLondon, GB21
DEBerlin, DE19

Playlist Summary

Overview of this artist's relationship with playlists
162
Playlist adds
0
High-risk playlist adds
54,552
Playlist follower reach (sum)
220+
Listeners from playlists
Estimated
17.9%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Thomas Korf and Sebastian Kokus have been responsible for some stunning leftfield neo-kraut releases with their band Love-Songs in recent years; Ulf Schütte has been one of the most productive, and innovative protagonists of experimental electronic music in Germany for many years (see Datashock, Phantom Horse). Following Love-Songs' highly acclaimed collaboration with Schütte, »[Spannende Musik]«, the formation of Cloud Management as a group in its own right marks a new beginning, which is celebrated with the long player on Altin Village & Mine. The album is characterized by a dense texture of repetitions in which (modular) synthesizers and bass go head-to-head. It is on this foundation that the formal grammar of the album develops over its nearly 45-minute running time, organized along precise interventions into the hypnotic pulse: What is recognizable as echoes of 1960s/70s minimalism or Cluster functions on »Cloud Management« not in the sense that the sequences or the sequencers are left to themselves, but as highly concentrated, microscopic work on repetition. This virtuosically arranged, groove-based and even danceable density of the seven pieces never sounds strained or as an end in itself, but floating, cloud-like. The polyrhythmic workouts are at all times in the service of a refreshing expanse that opens up from the sonic saturation and is far removed from the formulaic box-checking often associated with the attribute ›kosmisch‹.

Updated Oct 13, 2026, 10:07 AM
First discovered Oct 8, 2026, 10:06 AM