Elder Island

Elder Island
Elder Island
artist
artist.tools
Playlist Risks
Listeners
763,547/mo
Followers
170,823
Est. Royalties
$3,212 - $12,846/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
5
Albums
4
EPs
39
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Elder Island's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB32,001
AUSydney, AU19,453
AUMelbourne, AU16,696
DEBerlin, DE12,871
AUBrisbane, AU11,153

Playlist Summary

Overview of this artist's relationship with playlists
27,712
Playlist adds
1
High-risk playlist adds
4,076,000
Playlist follower reach (sum)
111,230+
Listeners from playlists
Estimated
14.6%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Elder Island are celebrated for their brooding indie-electronica that draws on their Bristol roots, creating vastly detailed and immersive soundscapes. But Hello Baby Okay marks a new era for the band, fuelled by a longing for transcendence and euphoria. An effervescent counterpoint to the current times, their new music is threaded through with a liberated energy, lilting funk-pop guitars, danceable beats and a renewed sense of play. Elder Island’s Katy Sargent (vocals, cello), Luke Thornton (bass, beat-making) and David Havard (guitar, synths, programming) have spent the past decade building a dedicated fanbase on both sides of the Atlantic, with over 400 million streams worldwide. They’re firm festival favourites who’ve played at prestigious venues from London’s Roundhouse to New York’s Bowery Ballroom and who hold the unique ability to straddle both the live and club worlds: in 2022, they pricked the ears of superstar DJs like Solomun, who personally invited them to spin at his Printworks takeover. When they went into the studio in 2023, they went back to their roots with free-flowing jam sessions, rekindling their sense of spontaneity while channeling the warm embrace of the dancefloor. “Our sound got pigeonholed into a chillout coffee-shop playlist space,” says Luke, but in fact, David continues, “DJ culture has been heavily influential on our approach to music.”

Updated Sep 20, 2026, 8:28 PM
First discovered Aug 18, 2026, 8:20 PM