The Brand New Heavies

The Brand New Heavies
The Brand New Heavies
artist
artist.tools
Playlist Risks
Listeners
346,101/mo
Total Streams
268,491,285
Followers
196,139
Est. Royalties
$1,385 - $5,541/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
31
Albums
3
EPs
14
Singles
268,491,285
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View The Brand New Heavies' most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB12,580
BRSão Paulo, BR5,223
AUSydney, AU4,538
AUMelbourne, AU3,756
GBManchester, GB3,416

Playlist Summary

Overview of this artist's relationship with playlists
30,662
Playlist adds
0
High-risk playlist adds
5,063,123
Playlist follower reach (sum)
56,860+
Listeners from playlists
Estimated
16.4%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Known as one of the most pioneering and influential groups of the Acid Jazz scene, The Brand New Heavies started out as bedroom jamming sessions between school friends Andrew Levy, Jan Kincaid and Simon Bartholomew. The trio became involved in the early incarnation of London’s 80s dance and rave scene, eventually signing to Acid Jazz in the label’s infancy followed by their debut LP in 1990. By 1992, the Heavies had hip-hop royalty lining up to work with them, culminating in Heavy Rhyme Experience: Vol 1, followed by their groundbreaking Brother Sister (1994), which shot to #4 in the UK Charts, with N’Dea Davenport-fronted classics ‘Dream On Dreamer’ & ‘Midnight at The Oasis’. The band followed up with the Platinum-certified Shelter in 1997, this time fronted by Siedah Garrett. Two years later, the anthology entitled Trunk Funk: The Best of the Brand New Heavies appeared, with material fronted by Carleen Anderson. After 2003's We Won't Stop, fronted primarily by Sy Smith, and 2004's Allabouthefunk, with Nicole Russo, Davenport returned for numerous projects well into the 2010s. Among these were 2006's Get Used to It and 2013's Forward. Dawn Joseph, who had contributed to Forward, took the spotlight on Sweet Freaks, the band's 2014 offering, but she left afterward, as did Jan Kincaid. After 2019’s TBNH, produced with long-time fan Mark Ronson, the band issued Never Stop… The Best Of, reliving the best of the band’s years at London Records. 

Updated Nov 2, 2026, 1:07 AM
First discovered Aug 24, 2026, 12:53 AM