Will Vinson

Will Vinson
Will Vinson
artist
artist.tools
Playlist Risks
Listeners
5,684/mo
Total Streams
3,950,622
Est. Royalties
$20 - $79/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
12
Albums
0
EPs
15
Singles
3,950,622
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USNew York City, US86
GBLondon, GB85
MXMexico City, MX62
USLos Angeles, US60
USBrooklyn, US59

Playlist Summary

Overview of this artist's relationship with playlists
969
Playlist adds
0
High-risk playlist adds
54,940
Playlist follower reach (sum)
420+
Listeners from playlists
Estimated
7.4%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Saxophonist, bandleader, and composer Will Vinson arrived in New York from London in 1999. A first-call sideman, he possesses a strident, emotionally powerful tone, resonant phrasing, and canny sensitivity. Vinson's leader debut, 2004's It's for You, included bassist Thomas Morgan and pianist Aaron Parks. In 2008, Promises featured Vinson leading a quintet. 2010's Stockholm Syndrome, marked his global breakthrough. 2013's massively acclaimed OWL Trio showcased him with guitarist Lage Lund and bassist Orlando Le Fleming. 2016's the electro-acoustic Perfectly Out of Place featured pianist Gonzalo Rubalcaba. 2018's It's Alright with Three showcased a collective trio with drummer Antonio Sanchez and guitarist Gilad Hekselman, followed by Trio Grande in 2020. Vinson also issued 441 that year, a set of trios and duets with alternating rhythm sections. 2022's Tripwire with drummer Eric Harland and bassist Matt Penman featured Melissa Aldana in a guest role. 2026's Live at Smalls found him leading a quintet with Parks, Lund, bassist Matt Brewer, and drummer Marcus Gilmore. Vinson was born in London in 1977. An introspective and shy child, his first exposure to music was his father's large jazz record collection and piano playing. He didn't listen to rock or pop, but enjoyed the big-band jazz of Count Basie and Duke Ellington. Vinson started playing piano at ten and studied classically for a short time. In his early teens, he began studying with Leon Cohen, who not only fostered his love of jazz technique and harmony but introduced him to the electric jazz fusion of Weather Report and Chick Corea's various projects. After seeing a Corea concert, Vinson committed himself to music. The wide historical gap in his jazz knowledge left out the innovations of bebop, West Coast jazz, and hard bop, as well as the modernism of John Coltrane and Ornette Coleman, but he filled them in during the ensuing years. At 15, Vinson's parents bought him a saxophone and he proceeded to learn to play via private lessons and in school. After an initial bout with tendonitis that affected his piano playing, he switched to the alto saxophone full-time. (He has since recovered from that condition and plays piano and synths occasionally.) Vinson emigrated to New York City in 1999 to attend the Manhattan School of Music, where his classmates included Aaron Parks, Ambrose Akinmusire, Miguel Zenon, and Jaleel Shaw. His talent impressed virtually everyone who heard him, and he won gigs as a sideman while still in school. Though he cut Critical Moments in 1999 as part of the Ultrasound Contemporary Jazz Ensemble before leaving England, Vinson's proper debut was 2002's Down Homeless, by VNMG, a collaborative quartet with bassist Thomas Morgan, pianist Steve Newcomb, and bassist Peter Gabis. Two years later, Vinson issued his own leader debut with It's for You, on the British Sirocco Music label. Co-produced by the saxophonist and Eivind Opsvik, his quartet included Parks, Morgan, guitarist Sandra Hempel, and drummer Mark Ferber. The saxophonist spent most of the next four years touring as a sideman, playing his own headline gigs in New York, and recording with the Alan Ferber Nonet, jazz singer Pamela Luss, guitarist Jonathan Kreisberg, and drummer Ari Hoening -- he still works with the latter two. In 2008, Vinson issued two digital releases. The first, Greenpoint, titled for the Brooklyn neighborhood he calls home, was a collective outing with bassist Matt Penman, guitarist Dan Waldman, and drummer Bruce Fox. The second was his own Promises, which included Parks, Hoenig, bassist Orlando Le Fleming, and guitarist Lage Lund. In 2009, Vinson made his first appearances as a pop sideman, playing on recordings by Harper Simon and Rufus Wainwright (whose band he formally joined to tour the U.S. and Europe). Upon his return the following year, Vinson issued the digital outing The World (Through My Shoes), with Le Fleming, Lund, and German drummer Jochen Rückert. In addition, he served as a member of Le Fleming's band; also featuring Lund and drummer Antonio Sanchez, the ensemble issued From Brooklyn with Love (Live at Freddy's). Vinson signed to Criss Cross for his critical breakthrough, 2010's Stockholm Syndrome, leading a quintet that included Lund, Parks, Le Fleming, and drummer Kendrick Scott. The set juxtaposed eclectic post-bop originals with inventive readings of standards by Cole Porter, Paul Desmond, and Bill Evans. It established Vinson as a leader in the global eye, and he toured almost incessantly to promote it. In late 2012, Vinson, Lund, and Le Fleming formed OWL Trio. Their lone, self-titled album was released in 2013. Two years later, after touring with the trio and working with Kreisberg, Vinson played with Gonzalo Rubalcaba's quintet for the album Charlie and joined the pianist's touring group. In 2016, Vinson issued Perfectly Out of Place. Co-produced by the saxophonist with Rubalcaba, its ten originals were performed by an electro-acoustic jazz quintet that included the pianist Penman (who also played synths), guitarist Mike Moreno, and drummer Jeff Ballard, in collaboration with the MIVOS Quartet, an avant string ensemble. Acclaim for the album came from as far away as Tokyo, Moscow, the Netherlands, and London. Two years later, Vinson released his sophomore date for Criss Cross, It's Alright with Three. Equally divided between the saxophonist's originals and jazz standards, it was performed by a trio with Sanchez and guitarist Gilad Hekselman. The recording showcased how intuitive the ensemble -- who had done some live work together -- could be in an unconventional recording setting. Vinson signed to Whirlwind Recordings in late 2019. Four Forty One, his label debut, presented the saxophonist in a variety of duo and trio settings with five alternating pianists and rhythm sections. The pianists included Rubalcaba, Gerald Clayton, Fred Hersch, Sullivan Fortner, and Tigran Hamasyan. The set placed on streaming jazz charts internationally. In December, Vinson, Sanchez, and Hekselman officially changed their name to Trio Grande and released their self-titled debut. 2022's Tripwire offered yet another new trio, this one with drummer Eric Harland and bassist Matt Penman; tenorist Melissa Aldana guested on two tracks, and the following year, Trio Grande issued Urban Myth. They returned in May 2026 with What's Left? with Nate Wood on drums. In September, Vinson released Live at Smalls leading a quintet with Parks, Lund, bassist Matt Brewer, and drummer Marcus Gilmore. ~ Thom Jurek, Rovi

Updated Nov 2, 2026, 4:56 PM
First discovered Aug 30, 2026, 9:33 AM