Zaho de Sagazan

Zaho de Sagazan
Zaho de Sagazan
artist
artist.tools
Playlist Risks
Listeners
1,340,173/mo
Followers
456,505
Est. Royalties
$4,196 - $16,782/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

FRParis, FR74,293
FRLyon, FR25,537
DEBerlin, DE21,075
CAMontreal, CA20,799
FRMarseille, FR19,230

Playlist Summary

Overview of this artist's relationship with playlists
26,894
Playlist adds
1
High-risk playlist adds
5,250,509
Playlist follower reach (sum)
93,090+
Listeners from playlists
Estimated
6.9%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

After the release of her first album, Zaho de Sagazan has reached dizzy new heights, becoming the first artist to win four French Music Awards: Album of the Year, Best Original Song, Best Female Newcomer, Best Newcomer Live Act. If you want to describe Zaho’s voice it most likely is a type of material: a metallic velvet, the texture both bouncy and rough, the movement between a silk-lifting breeze and the ripple caused by skimming stones. While Zaho de Sagazan’s voice has a peculiar character, it soon feels familiar before becoming powerfully intimate. She could be your sister, best friend, a shaman, a therapist? This very voice had made her feel uncomfortable during her childhood: "It made me self-conscious because many things about me were the opposite of the feminine and I couldn't hide my voice." It took her some time to admit to herself that her calling was to be an artist. At one time, she was tempted by working in healthcare, eventually channeling that kind spirit to bring her closer to her current work as a singer – "I'm the friend you call when you want to talk for three hours." Zaho, always a dreamer, grew up guided by the maternal insight of ‘putting herself in others’ shoes’, which was a charitable virtue and a wonderful way to hone her observation skills. Whether her songs are written from the “I”, ”you” or “he” perspective, the subject never changes: a person who loves, suffers, is hesitant, looks at themselves and seeks to explore further.

Updated Oct 14, 2026, 9:36 PM
First discovered Jan 23, 2026, 4:09 PM