Sophia George

Sophia George
Sophia George
artist
artist.tools
Playlist Risks
Listeners
104,254/mo
Total Streams
51,830,137
Est. Royalties
$406 - $1,624/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
1
Albums
0
EPs
1
Singles
51,830,137
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Sophia George's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

KENairobi, KE5,710
GBLondon, GB5,028
GBBirmingham, GB2,416
GBManchester, GB1,447
NLAmsterdam, NL1,330

Playlist Summary

Overview of this artist's relationship with playlists
5,507
Playlist adds
0
High-risk playlist adds
4,244,548
Playlist follower reach (sum)
104,254+
Listeners from playlists
Estimated
100.0%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

b. Jamaica, West Indies. In 1985 the reggae media were printing laudatory articles about a pre-release from Jamaica produced by Sangie Davis, entitled ‘Girlie Girlie’. The song was a tale about a philandering juvenile manipulating the opposite sex. By December, the record was released in the UK and crossed over into the pop chart, peaking at number 7. George’s appearance on the UK chart show Top Of The Pops was commended because she actually performed the song live. While in the UK she embarked on a tour, where her performances included a cover version of Dire Straits’ ‘Walk Of Life’. In 1986 her follow-up, ‘Lazy Body’, originally a hit for Echo Minott, made a minor impression in the pop charts and proved a favourable hit within the reggae market. The single was released as a double a-side with the carefully crafted ‘Can’t Live Without You’, which demonstrated her fine vocals. In 1987 George recorded ‘Final Decision’ with producer Willie Lindo, a warning to domineering males emulating the dancehall style of her debut. Other notable recordings included ‘Aint No Meaning’ with DJ Charlie Chaplin, ‘It Burn Me Belly’ and ‘Maga Dog’, loosely based around the Peter Tosh classic. Between her extensive touring, which included the 1989 Reggae Sunsplash Festival and supporting Yellowman on his 1990 US concerts, George returned to the recording studio with producer Home T and the Two Friends crew to cut For Everyone. George continued to record for the Pow Wow label during the 90s without ever coming close to matching the impact of her greatest hit.

Updated Oct 7, 2026, 3:49 PM
First discovered Aug 25, 2026, 6:45 AM