Sebadoh

Sebadoh
Sebadoh
artist
artist.tools
Playlist Risks
Listeners
167,289/mo
Total Streams
84,712,154
Followers
136,088
Est. Royalties
$632 - $2,527/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USLos Angeles, US3,509
USNew York City, US3,248
USChicago, US3,107
GBLondon, GB2,820
USBrooklyn, US2,561

Playlist Summary

Overview of this artist's relationship with playlists
15,293
Playlist adds
0
High-risk playlist adds
2,468,319
Playlist follower reach (sum)
44,550+
Listeners from playlists
Estimated
26.6%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

It’s been six years since Sebadoh put out their last record, so it would seem that the release of this ninth full-length, Act Surprised, is long overdue. But actually, that’s relatively quick for the lo-fi indie rock legends. After all, there was a 14 year gap/semi-hiatus between 2013’s Defend Yourself and its predecessor, The Sebadoh, so really, six years is nothing. Besides, the trio – Lou Barlow, Jason Loewenstein and Bob D’Amico – have a pretty good reason. “Lou is always being taken away and abducted by Dinosaur Jr. for these fun and exciting next-level rock’n’roll tours,” chuckles Loewenstein, “so when we get him back we have to relight the fire.” That’s exactly what the trio did, recording 15 new songs with Justin Pizzoferrato, the engineer behind many Dinosaur Jr. albums. Recorded at Sonelab in Easthampton, Massachusetts it marked a change in approach for the band, who had not only produced the previous record themselves, but who also gave themselves a bit more time than usual to get everything finished. “In the past,” says Barlow, “we would write in the studio and the songs would develop on the road.“ This time, we did some rehearsals a few weeks before recording,” adds Loewenstein, “which we almost never do. So we got a chance to not use the first take and took time to finesse things, which we also don’t usually do, so that was a good step.”

Updated Nov 1, 2026, 7:11 PM
First discovered Jun 6, 2026, 12:26 AM