The Aggrovators

The Aggrovators
The Aggrovators
artist
artist.tools
Playlist Risks
Listeners
103,025/mo
Followers
26,101
Est. Royalties
$353 - $1,410/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
98
Albums
0
EPs
146
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View The Aggrovators' most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB3,762
BRSão Paulo, BR1,774
MXMexico City, MX1,281
USLos Angeles, US1,228
AUSydney, AU1,121

Playlist Summary

Overview of this artist's relationship with playlists
6,780
Playlist adds
0
High-risk playlist adds
1,373,934
Playlist follower reach (sum)
25,920+
Listeners from playlists
Estimated
25.2%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

This was the name given by Jamaican producer Bunny Lee to whichever team of session musicians he happened to be using at any given time. Lee had named his reggae shop and record label Agro Sounds in the late 60s, after hearing about the UK skinheads’ adoption of the word to mean a fight or problem, and he passed on the name to his musicians. These included many artists of varying quality, but on their few long-playing releases the Aggrovators included Robbie Shakespeare (bass), Carlton ‘Santa’ Davis (drums), Earl ‘Chinna’ Smith (b. 6 August 1955, Greenwich Farm, Kingston, Jamaica, West Indies; lead guitar), Ansell Collins (piano), Bernard ‘Touter’ Harvey (organ), Tony Chin (guitar), Bobby Ellis (trumpet), Vin Gordon (trombone), Tommy McCook (tenor saxophone) and Lennox Brown (alto saxophone). Lee’s work came to the fore during the rocksteady period, but he achieved real prominence in the mid-70s when his ‘flying cymbals’ sound, originally a reaction to the then-popular American ‘disco beat’, was ubiquitous. Rivalling the popularity of the vocal sides of the flying-cymbal releases, were the instrumental b-side ‘versions’, credited to the Aggrovators and mixed by King Tubby, and it was through these Jackpot and Justice record label releases that the Aggrovators achieved fame.

Updated Oct 2, 2026, 8:15 PM
First discovered Aug 12, 2026, 4:16 PM