Michelangelo Rossi

Michelangelo Rossi
Michelangelo Rossi
artist
artist.tools
Playlist Risks
Listeners
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners589-2.5%7dListeners from Playlists130-13.3%7dChangeN/A—

589 – 604

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

ATVienna, AT11
GBLondon, GB10
ESBarcelona, ES10
PLWarsaw, PL9
CHZurich, CH9

Playlist Summary

Overview of this artist's relationship with playlists
203
Playlist adds
0
High-risk playlist adds
17,850
Playlist follower reach (sum)
130+
Listeners from playlists
Estimated
22.1%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Violinist, keyboard player and composer Michelangelo Rossi left his native Genoa to pursue a professional career in music; in early 17th century Italy, that meant Rome and that meant opera. Eventually, he completed three distinct periods of musical work in Rome, in addition to service before other elevated patrons around Europe; he wrote at least two operas and contributed as well to the popular genre of the keyboard toccata and the waning Italian madrigal. An anecdote by Athanasius Kircher suggests he may have helped codify the intimate though nascent genre of the trio sonata. Though some confusion reigns in the historical record -- as many as three contemporary Italian violinists were named Michelangelo -- Rossi's upbringing in Genoa seems secure. His earliest training almost certainly was at the hands of his monastic uncle Lelio; Michelangelo served as assistant cathedral organist under him at least until 1620. His first independent musical post was in the court of Cardinal Maurizio of Savoy, in Rome and Turin from 1624-29. In this time, he likely composed madrigals alongside Sigismondo d'India, also a protégé of Cardinal Murizio, and may have befriended and studied keyboard with Frescobaldi. All but one of his madrigals may date from this period, and they are overtly similar to those of d'India. The circumstances of Rossi's dismissal from the Cardinal's service are unclear, but the rift may have been unexpected and unfortunate. Rossi's first known opera dates from his second period of Roman service, while in the retinue of the rich Taddeo Barberini. Rossi's oepra Emilio sul Giordano (on a story from Torquato Tasso, with a libretto by Rospigliosi) was produced during Carnival of 1633, and Rossi himself apparently sang on stage as the sun-god Apollo. In 1634, Rossi left Rome in the entourage of Giulio Mazzarini (Mazarin), though he only got as far as Modena. From 1634 to 1638, he gave of his musical talents to the Este family, including writing his second opera, Andromeda. By 1649, he had returned to Rome and was residing in the palace of Camilo Pamphili (relative of the Pope), perhaps in semi-retirement. He died in July of 1656 and may have been buried in the Minimi church of Saint Andrea delle Fratte. ~ Timothy Dickey, Rovi

Updated Nov 8, 2026, 5:03 PM
First discovered Oct 23, 2026, 4:59 PM