Santiago De Murcia

Santiago De Murcia
Santiago De Murcia
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners19,552+0.3%7dListeners from Playlists2,890+2.8%7dChangeN/A—

19,497 – 19,571

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

ESMadrid, ES597
MXMexico City, MX450
ESBarcelona, ES253
GBLondon, GB233
FRParis, FR199

Playlist Summary

Overview of this artist's relationship with playlists
1,240
Playlist adds
0
High-risk playlist adds
203,044
Playlist follower reach (sum)
2,890+
Listeners from playlists
Estimated
14.8%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
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Happened at

Biography & Metadata

Santiago de Murcia was one of the leading Spanish composers of his day and among his country's finest guitarists and pedagogues, as well. His surviving works were all written for the five-course Baroque-style guitar, which has nine strings, one on the first course and two each on the remaining ones. Murcia was born around 1682, probably in Madrid. Little is known about his early years, though it is believed he had a brother, Antonio, who was a guitar-maker. Around the age of 10 Santiago likely began studying with master guitarist and teacher Francisco Guerau, who had connections to the highest royal circles in his directorship roles at the royal choir school and royal chapel in the 1690s. Murcia himself secured a post at the Spanish Court in the early 1700s as the Queen's guitar teacher. The aforementioned Antonio de Murcia also worked for the Queen (María Luisa Gabriela) as her guitar maker. Santiago de Murcia's treatise Resumen de acompañar la parte con la guitarra (completed before 1714) was dedicated to one of his patrons, Jácome Francisco Andriani, the Dutch ambassador at the Court. The book deals with many performance issues on guitar, but also contains a number of French dances. At the time Murcia wrote Resumen he was residing in Andriani's house and likely was well paid by him. Murcia had at least one other important supporter, Joseph Álvarez de Saavedra, notary to King Felipe V. He would become a factor in the composer's later years in Mexico. Murcia's works frequently appeared in the early eighteenth century, and some may have had origins in the theater as collaborations with other prominent composers of the day, like Pedro Lanini and Francisco de Castro. Murcia departed Spain in about 1718. He traveled first to Europe, possibly to France and Holland, then settled in Mexico, probably in an arrangement made by the Court since Álvarez de Saavedra had also moved there around the same time. Little is known about Murcia's life in Mexico, though he may have lived in Puebla, the city in which Saavedra died. Murcia produced at least two manuscripts during his Mexican years, one containing his famous guitar collection, Passacalles y obras, dedicated to Saavedra. It is a compilation of 14 passacaglias (each with numerous variations) and 11 large suites, each a collection of works in itself. Murcia probably died in Mexico around 1740.

Updated Nov 8, 2026, 6:37 PM
First discovered Aug 18, 2026, 1:59 PM