Gottfried August Homilius

Gottfried August Homilius
Gottfried August Homilius
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners1,410+5.1%7dListeners from Playlists200.0%7dChangeN/A—

1,342 – 1,418

Discography

Their catalog as it appears on their public Spotify artist profile
19
Albums
0
EPs
0
Singles
1,206,138
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Gottfried August Homilius' most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

DEMunich, DE71
DEBerlin, DE49
DEFrankfurt am Main, DE47
DEStuttgart, DE39
DEHamburg, DE35

Playlist Summary

Overview of this artist's relationship with playlists
197
Playlist adds
0
High-risk playlist adds
5,379
Playlist follower reach (sum)
20+
Listeners from playlists
Estimated
1.4%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Homilius was an important German composer of the mid to late eighteenth century. He studied the organ and composition with Stubner, Bach and Hiller and attended the University of Leipzig as a student of law. Positions maintained by Homilius during the course of his life included assistant organist at St Anne's in Dresden, organist for Dresden's Frauenkirche, Kreuzkirche, and Sophienkirche. His first extant composition was the cantata "Gott der Herr ist Sonn und Schild" and his corpus of compositions included many cantatas, motets, Magnificant settings and works for the organ. Historical judgment of his work can only be ascertained through an understanding that his music remained a part of the choral repertorie of the Kreuzkirche. The emphases of his works focused on melodic line in combination with folk elements and expressive emotions. Homilius included aspects of dynamic contrasts and simple harmonies. He was the main representative of the empfindsamer style and a notable figure in the transition from Baroque to classical style with a loss of counterpoint and a gain of noble simplicity.

Updated Nov 7, 2026, 3:28 AM
First discovered Sep 12, 2026, 12:25 AM