Orbiting Human Circus

Orbiting Human Circus
Orbiting Human Circus
artist
artist.tools
Playlist Risks
Listeners
18,489/mo
Total Streams
8,503,080
Est. Royalties
$69 - $277/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
1
Albums
2
EPs
5
Singles
8,503,080
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Orbiting Human Circus' most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USChicago, US279
USLos Angeles, US265
USNew York City, US240
GBLondon, GB187
USSeattle, US177

Playlist Summary

Overview of this artist's relationship with playlists
434
Playlist adds
0
High-risk playlist adds
55,925
Playlist follower reach (sum)
220+
Listeners from playlists
Estimated
1.2%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Orbiting Human Circus is the continuing evolution of the imagination of Julian Koster (Neutral Milk Hotel, The Music Tapes, Elephant 6), whose music and storytelling under this moniker have encompassed immersive theater and a narrative fiction podcast released in partnership with Night Vale Presents and WNYC—with a new, epic musical fiction podcast coming soon—as well as more traditional EPs and singles. Quartet Plus Two is the group’s debut album. The “Quartet” is composed of Koster, standup bass player Gauvain Gamon, drummer Kolja Gjoni, and pianist Benji Miller. The “Plus Two” are North and Romika, the singing saws, whom Koster encourages to sing. “I think saws sing like angels,” he says. “I always have, since I was a little boy. When you encourage them to sing, they do so earnestly and beautifully. It’s an honest and real sound. Sometimes when they are singing, I’ve even heard them speak, weep, and imitate birds.” The origins of Quartet Plus Two are as magical and seemingly unlikely as everything else in Koster’s career. While walking through New York’s Central Park, he stumbled upon Gamon and Gjoni playing Gershwin and Mingus, and, with the addition of Miller, a musical partnership was born. Koster’s longtime collaborators Robbie Cucchiaro (horns) and Thomas Hughes (orchestral arranging and chimes) of The Music Tapes also contribute to the record.

Updated Oct 16, 2026, 11:17 PM
First discovered Aug 18, 2026, 8:44 PM