Winfield Parker

Winfield Parker
Winfield Parker
artist
artist.tools
Playlist Risks
Listeners
4,921/mo
Total Streams
1,564,354
Est. Royalties
$22 - $89/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
3
Albums
0
EPs
3
Singles
1,564,354
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB260
AUMelbourne, AU65
AUSydney, AU60
USLos Angeles, US57
GBManchester, GB56

Playlist Summary

Overview of this artist's relationship with playlists
1,134
Playlist adds
0
High-risk playlist adds
254,703
Playlist follower reach (sum)
1,460+
Listeners from playlists
Estimated
29.7%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

A vocalist valued among listeners of deep soul and traditional gospel alike, Winfield Parker came up as a young saxophonist in Maryland/D.C.-area groups such as the Veejays and Sammy Fitzhugh & the Moroccans. Prior to launching a solo career, he also played behind Little Richard and led a band called the Imperial Thrillers. From the late '60s through the '70s, Parker recorded sides for an assortment of labels that included Arctic, Ru-Jac, Wand, Spring, and GSF. His commercial peak was achieved in 1971 through his version of "S.O.S. (Stop Her on Sight)," a song popularized five years earlier by Edwin Starr; Parker took it to number 48 on Billboard's Soul Singles chart. Other powerful cuts, such as "Shake That Thing" and "Mr. Clean," became favorites of England's Northern Soul scene. Parker also fronted the Best of Both Worlds, a band that released one album, I Want the World to Know, for the Calla label. Parker became an ordained minister in 1981, released the first of several gospel recordings in 1988, and established a label of his own. He didn't forsake his R&B past. He continued to look after his entire discography and continued to perform the material as his gospel works steadily increased in stature. In 2016, the Omnivore label issued Mr. Clean: Winfield Parker at Ru-Jac, which contained all of the previously released Ru-Jac material and added six previously unheard cuts. At the time, Parker was still active on the gospel scene, and was nearing his 60th year as an artist. ~ Andy Kellman, Rovi

Updated Oct 12, 2026, 7:05 PM
First discovered Sep 15, 2026, 4:12 PM