Puce Mary

Puce Mary
Puce Mary
artist
artist.tools
Playlist Risks
Listeners
4,123/mo
Total Streams
3,734,603
Followers
25,312
Est. Royalties
$14 - $58/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
7
Albums
1
EPs
2
Singles
3,734,603
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Puce Mary's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB88
DEBerlin, DE65
PLWarsaw, PL55
USNew York City, US54
USLos Angeles, US52

Playlist Summary

Overview of this artist's relationship with playlists
1,601
Playlist adds
0
High-risk playlist adds
158,815
Playlist follower reach (sum)
1,270+
Listeners from playlists
Estimated
30.8%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Puce Mary is the solo moniker of experimental musician and sound artist, Frederikke Hoffmeier. Oft-identified with the now-generation of industrial noise  - Puce Mary has a reputation for intense live performances that span from gripping renditions of cinematic compositions to the full-on fury of off-the-cuff harsh noise. With countless releases, performances and collaborations with artists such as Kali Malone, Drew McDowall and Loke Rahbek, Puce Mary has reached wide acclaim for her powerful and unique blend of modern industrial/noise music. Born in 1989 in Denmark, Hoffmeier started her career in Copenhagen’s underground music scene, closely affiliated with Posh Isolation and the venue/music collective Mayhem KBH.  With her most recent and critically acclaimed album “The Drought” released on PAN, Hoffmeier expands the field of sound more broadly than before, unfurling a complex sonic and literary narrative of tension and release. Amidst disquieting dynamics and surreal cinematics, she voices existential soliloquies, while swarms of sound lurk and blasts interrupt. The Drought is for the ages to be sure  – “I find myself feeling like decades have passed” she intones on Red Desert – but it is also unmistakably contemporary, giving new urgency to the fabrics she digs – be it the dense textures of Bianchi or litterature of Baudelaire. 

Updated Oct 11, 2026, 7:12 PM
First discovered Aug 26, 2026, 4:06 PM