Mikhail Pletnev

Mikhail Pletnev
Mikhail Pletnev
artist
artist.tools
Playlist Risks
Listeners
1,777,639/mo
Followers
33,269
Est. Royalties
$3,454 - $13,817/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
116
Albums
1
EPs
13
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Mikhail Pletnev's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

MXMexico City, MX32,057
TRIstanbul, TR24,428
GBLondon, GB22,114
BRSão Paulo, BR17,143
CLSantiago, CL16,598

Playlist Summary

Overview of this artist's relationship with playlists
347
Playlist adds
0
High-risk playlist adds
48,291
Playlist follower reach (sum)
1,000+
Listeners from playlists
Estimated
0.1%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Reaching the highest level of prominence as both a pianist and conductor, Mikhail Pletnev is a major figure on the contemporary Russian musical scene. He is also a prolific composer and a competent amateur violinist. Pletnev was born on April 14, 1957, in Archangelsk in the far north of what was then the Soviet Union. His family was musical; his father played and taught the bayan button accordion, and his mother was a pianist. When the family moved to Kazan in Russia's Tatarstan region, Pletnev began piano studies with Julia Shaskin. He moved to Moscow at 13 to study at the Moscow Central Music School with Evgeny Timakin, and a Grand Prix at the Jeunesses Musicales International in 1945 proved to be the first in a long series of prizes for the young pianist. At 15, Pletnev moved to the Moscow Conservatory for studies with Yakov Flier, whose teaching propelled him to gold medals in two of the Soviet Union's toughest events, the All-Union Competition in 1977 and the Tchaikovsky Competition in 1978. Pletnev launched a touring career that went fully international as restrictions on Soviet musicians loosened in the 1980s. His fluent, elegant style was sometimes likened to those of Arturo Benedetti Michelangeli and even Vladimir Horowitz. He made his recording debut in 1988 on the Virgin Classics label with Rachmaninov's Piano Concerto No. 1 in F sharp minor, Op. 1, and Rhapsody on a Theme of Paganini, Op. 43, with the Philharmonia Orchestra. In the late '80s, Pletnev struck up an acquaintance with Soviet head of state Mikhail Gorbachev, who aided him in founding the Russian National Orchestra in 1990; it was the first privately funded orchestra in Russia since 1917. The new orchestra, with Pletnev as conductor and artistic director, was successful from the start. It toured the U.S. in 1992 and 1993. In 1994, he moved to Deutsche Grammophon, recording Rachmaninov's Symphony No. 2 in E minor, Op. 27, as conductor of the Russian National Orchestra. His repertoire runs from Scarlatti to Rachmaninov, with whom he is especially identified; he is a superb Mozartian and a strong interpreter of a variety of Russian works, but he rarely performs contemporary music. From the early '90s forward, Pletnev performed somewhat less often as a pianist, although he continued to record both as a pianist and conductor. He stepped down as the Russian National Orchestra's conductor in 1999 but carried on as its artistic director and continued to conduct the group on occasion for the next two decades. In the 2010s, he and the Russian National Orchestra often recorded for Pentatone, and in 2022, he moved to Profil, leading them and violinist Ivan Pochekin in violin concertos by Tchaikovsky and Glazunov. By that time, his recording catalog numbered well over 100 items. When the Russian National Orchestra failed to renew his contract, Pletnev formed the Rachmaninoff International Orchestra in Bratislava, Slovakia. That group's debut recording came in 2024 with Pletnev's arrangement of Tchaikovsky: Swan Lake Suite & Bizet/Schedrin: Carmen Suite. As a pianist, he returned to the Deutsche Grammophon label and released a 2025 recording of Chopin & Scriabin: 24 Préludes. ~ James Manheim, Rovi

Updated Nov 1, 2026, 11:23 PM
First discovered Aug 12, 2026, 7:26 PM