John Mayall & The Bluesbreakers

John Mayall & The Bluesbreakers
John Mayall & The Bluesbreakers
artist
artist.tools
Playlist Risks
Listeners
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners315,305-0.5%7dListeners from Playlists35,480-12.5%7dChangeN/A—

Series

  • Monthly Listeners
  • Listeners from Playlists
  • Change

Discography

Their catalog as it appears on their public Spotify artist profile
33
Albums
0
EPs
0
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View John Mayall & The Bluesbreakers' most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB3,628
AUSydney, AU3,246
AUMelbourne, AU2,916
BRSão Paulo, BR2,842
CLSantiago, CL2,636

Playlist Summary

Overview of this artist's relationship with playlists
13,834
Playlist adds
0
High-risk playlist adds
2,159,659
Playlist follower reach (sum)
35,480+
Listeners from playlists
Estimated
11.3%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Throughout the '60s, John Mayall & the Bluesbreakers acted as a finishing school for the leading British blues-rock musicians of the era. Guitarists Eric Clapton, Peter Green, and Mick Taylor joined Mayall's band in a remarkable succession in the mid-'60s, honing their chops with Mayall before going on to join Cream, Fleetwood Mac, and the Rolling Stones, respectively. John McVie and Mick Fleetwood, Jack Bruce, Aynsley Dunbar, Dick Heckstall-Smith, Andy Fraser (of Free), John Almond, and Jon Mark also played and recorded with the band for varying lengths of times in the '60s. Mayall's personnel tended to overshadow his own considerable abilities. Only an adequate singer, the multi-instrumentalist was adept in bringing out the best in his younger charges (Mayall himself was in his thirties by the time the Bluesbreakers began to make a name for themselves). Doing his best to provide a context in which they could play Chicago-style electric blues, Mayall was never complacent, writing most of his own material, revamping his lineup with unnerving regularity, and constantly experimenting within his basic blues format. ~ Richie Unterberger, Rovi

Updated Nov 12, 2026, 10:56 PM
First discovered Oct 21, 2026, 9:11 PM