Sam Vance-Law

Sam Vance-Law
Sam Vance-Law
artist
artist.tools
Playlist Risks
Listeners
8,194/mo
Est. Royalties
$28 - $110/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
2
Albums
0
EPs
6
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Sam Vance-Law's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

DEBerlin, DE445
DEHamburg, DE249
DEMunich, DE179
DEFrankfurt am Main, DE148
DELeipzig, DE122

Playlist Summary

Overview of this artist's relationship with playlists
1,336
Playlist adds
0
High-risk playlist adds
174,037
Playlist follower reach (sum)
1,170+
Listeners from playlists
Estimated
14.3%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

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Biography & Metadata

Born in Edmonton, Canada, Vance-Law moved, at the age of five, to Oxford, England, where he soon joined the renowned New College Choir, juggling five services a week with violin lessons, having first begun playing the viola when he was four. “It’s hard to separate interest from inescapability,” he smiles, “but I learned there a love of music that, though it’s changed, hasn’t left me yet.” After three years at one of the UK’s most distinguished boarding schools – “I honestly think any school would have been difficult for me at that age,” he says – the family returned to Canada when he was 16. It was here that, especially once he’d begun studying English Literature at university, he began, slowly, to broaden his horizons. When he was 23, he returned to Europe, and – having first settled in Paris – visited Berlin, a decision that would prove momentous. “Within 24 hours, I’d decided to move here,” he explains. “The city afforded me the space to figure out what the hell I wanted to do next.” He completed the arrangements, before scraping together the Euros to record the first three songs, then unhurriedly repeating the process until the album was done. “The record was really supposed to be for me,” he notes. “I really hadn’t intended this to be anything bigger than my own very enjoyable pet project. Then people started telling me they liked it.” Amongst them, conveniently, was producer Konstantin Gropper aka Get Well Soon, who ended up helping to co-produce the album.

Updated Sep 24, 2026, 4:40 PM
First discovered Aug 22, 2026, 11:34 AM