Baby Do Brasil

Baby Do Brasil
Baby Do Brasil
artist
artist.tools
Playlist Risks
Listeners
1,199,671/mo
Total Streams
162,191,986
Followers
74,719
Est. Royalties
$1,548 - $6,190/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
17
Albums
2
EPs
5
Singles
162,191,986
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Baby Do Brasil's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

BRSão Paulo, BR175,124
BRItabuna, BR142,346
BRRio de Janeiro, BR98,816
BRBelo Horizonte, BR44,272
BRBrasília, BR35,269

Playlist Summary

Overview of this artist's relationship with playlists
6,824
Playlist adds
2
High-risk playlist adds
2,275,091
Playlist follower reach (sum)
43,750+
Listeners from playlists
Estimated
3.6%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Former member of the Os Novos Baianos, Baby do Brasil has an active career in pop and choro music, being one of the rare singers to devote to the virtuosic sung choro in the tradition held by Ademilde Fonseca. Some of her hits in her solo career are the choro "Brasileirinho" (Waldir Azevedo), "Menino do Rio" (Caetano Veloso), and "Todo Dia Era Dia de Índio" (Jorge Ben Jor). Since she was a child she was attracted by music, self-teaching herself to play the violâo (acoustic guitar). She won a local school music festival at 14. She adopted the stage name Baby Consuelo in 1966, moving to Salvador BA two years later. Becoming acquainted with Pepeu Gomes, she joined his group Os Novos Baianos as vocalist and married Pepeu soon afterwards. Moved with the group to Rio, where they lived in a rural community. With the end of the group in 1978, she departed for her solo career with Pepeu, recording O Que Vier Eu Traço, where she launched herself as a keeper of the tradition of the samba-choro (sung choro), revering Ademilde Fonseca. She changed her stage name to Baby do Brasil in the '90s and teamed again with the Os Novos Baianos for the recording of Infinito Circular (1997). ~ Alvaro Neder, Rovi

Updated Oct 21, 2026, 11:53 PM
First discovered Aug 24, 2026, 10:22 PM