CPM 22

CPM 22
CPM 22
artist
artist.tools
Playlist Risks
Listeners
2,370,046/mo
Total Streams
810,685,378
Followers
1,026,470
Est. Royalties
$3,057 - $12,229/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
10
Albums
0
EPs
18
Singles
810,685,378
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

BRSão Paulo, BR481,944
BRBelo Horizonte, BR142,055
BRRio de Janeiro, BR136,855
BRCuritiba, BR127,510
BRCampinas, BR125,923

Playlist Summary

Overview of this artist's relationship with playlists
23,136
Playlist adds
2
High-risk playlist adds
10,731,018
Playlist follower reach (sum)
262,280+
Listeners from playlists
Estimated
11.1%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

CPM 22 arose from Brazil's underground rock scene during the early 2000s to become one of the country's most popular homegrown punk-pop bands. Formed in São Paulo in 1995, the band, whose name is an acronym for Caixa Postal Mil e Vinte e Dois (i.e., P.O. Box 1022), is comprised of vocalist Fernando Estéfano Badauí (aka Badauí; born in 1976), guitarist Luciano Garcia (Luciano; 1978), guitarist Eduardo Ippolito Torrano Gomes (Wally; 1978), bassist Fernando Sanches Takara (aka Fernandinho; 1979), and drummer Ricardo di Roberto (Japinha; 1973). Influences include classic punk bands such as the Ramones and the Buzzcocks; punk-pop bands such as Green Day and Pennywise; and alternative rock bands such as Weezer and Smashing Pumpkins. CPM 22 recorded a couple demos during the late '90s before their album debut, A Alguns Quilômetros de Lugar Nenhum (2000), which they released independently. In 2001 they signed a recording contract with Abril Music, a short-lived yet prominent Brazilian label that subsequently released CPM 22 (2001) and Chegou a Hora de Recomeçar (2002). Both albums spawned a number of hits (including "Regina Let's Go," "Tarde de Outubro," "O Mundo dá Voltas," "Desconfio," "Dias Atrás," "Não Sei Viver Sem Ter Você") and were very popular, selling over 150,000 and 180,000 copies, respectively. By the time of Felicidade Instantânea (2005), another popular album (this one boasting the hits "Irresversível" and "Um Minuto Para o Fim do Mundo"), CPM 22 were aligned with Sony BMG and facing a rising tide of backlash from longtime fans who cried "sellout" because of the band's mainstream acceptance. CPM 22 responded in 2006 with "Inevitável," a hit single that was fashioned as a return to form (i.e., punk without the pop); a live CD/DVD featuring the song, MTV ao Vivo (2006), was issued in tandem. ~ Jason Birchmeier, Rovi

Updated Sep 26, 2026, 8:36 PM
First discovered Jun 24, 2026, 5:52 PM