I:Cube
I:Cube
artist

I:Cube

Playlist Risks
Listeners
158,634/mo
Total Streams
19,245,464
Followers
23,189
Est. Royalties
$623 - $2,493/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
8
Albums
14
EPs
19
Singles
19,245,464
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View I:Cube's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB4,460
AUMelbourne, AU2,882
FRParis, FR2,591
USNew York City, US2,565
DEBerlin, DE2,488

Playlist Summary

Overview of this artist's relationship with playlists
10,356
Playlist adds
0
High-risk playlist adds
2,282,056
Playlist follower reach (sum)
39,380+
Listeners from playlists
Estimated
24.8%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

French techno/house producer I:Cube (aka Nicholas Chaix), along with such artists as Air, Motorbass, and Daft Punk, was one of the most hyped underground acts on Paris' resurging dance scene during 1996-97 (with the difference that, instead of the industry, it was those artists doing the hyping). Similar in some respects to his colleagues, I:Cube's near-comprehensive fusion of the range of minimal electronic dance musics -- a molten concoction of funk, soul, electro, trance, Chicago house, and Detroit techno -- first surfaced through the "Disco Cubism" single (on popular Parisian DJ Gilb-R's Versatile label) in 1996. Made all the more amazing by the discovery that it was the work of a teenage schoolboy, the single's popularity was upped considerably by the full-length debut, Picnic Attack, which appeared the following year. Informed by a heavy dose of driving, minimal, trance-oriented techno, the album helped distinguish I:Cube's style from that of his more press-hounded countrymates (and attracted a fair amount of hounding on its own). A surprising and consistently inventive release, the album (along with Daft Punk's Homework and the Sourcelab label compilations) gave considerable weight to the notion that Paris' dance underground is among the least stylistically segregated around, producing innovative, compositionally accomplished music both clear in focus and broad in scope. Adore, an album that pleased the dance floor and couch heads, followed in 2000. Around the album's release he released a collaberation with DJ Gilb-R as Chateau Flight. ~ Sean Cooper, Rovi

Updated Sep 17, 2026, 1:10 PM
First discovered Aug 28, 2026, 1:05 PM