Val McCallum

Val McCallum
Val McCallum
artist
artist.tools
Playlist Risks
Listeners
16,188/mo
Est. Royalties
$61 - $244/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
1
Albums
0
EPs
3
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Val McCallum's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USChicago, US213
USNew York City, US176
AUSydney, AU171
SEStockholm, SE156
USLos Angeles, US144

Playlist Summary

Overview of this artist's relationship with playlists
55
Playlist adds
0
High-risk playlist adds
8,538
Playlist follower reach (sum)
170+
Listeners from playlists
Estimated
1.1%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Val McCallum has spent more than two decades as Jackson Browne's sideman and co-writer, and has played guitar for artists including Lucinda Williams, Sheryl Crow, Randy Newman, and many more. Yet his own music has remained one of Los Angeles’ best-kept secrets. Born into Hollywood royalty, McCallum has always seemed more interested in the song than in the spotlight. While his guitar playing helped define some of the most celebrated recordings of his generation, his solo records arrived quietly. Even after Phoebe Bridgers covered his song “Tokyo Girl,” McCallum remained largely under the radar. His new album, “As If We Didn’t Know,” may finally change that. What began as an unlikely songwriting collaboration with Berlin-based lyricist and producer Rudi Maier evolved into a fully realized artistic partnership, with Maier shaping both the record’s sonic world and its lyrical voice. Recorded in Los Angeles with friends and collaborators including Jackson Browne, Z Berg, Michael Landau, Greg Leisz, Jay Bellerose, Mitchell Froom, and Larry Goldings, the album blends the grace of classic Laurel Canyon songwriting with the emotional immediacy of modern indie folk. For longtime admirers, it’s the record they always suspected Val McCallum had in him. For everyone else, it is an introduction long overdue.

Updated Nov 1, 2026, 10:19 PM
First discovered Oct 23, 2026, 10:12 PM