Cheyenne Giles

Cheyenne Giles
Cheyenne Giles
artist
artist.tools
Playlist Risks
Listeners
104,202/mo
Followers
31,564
Est. Royalties
$204 - $816/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
0
Albums
1
EPs
56
Singles
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

CLSantiago, CL1,317
MXMexico City, MX1,234
USLos Angeles, US1,197
COBogotá, CO1,176
CAToronto, CA994

Playlist Summary

Overview of this artist's relationship with playlists
5,230
Playlist adds
1
High-risk playlist adds
2,249,950
Playlist follower reach (sum)
41,990+
Listeners from playlists
Estimated
40.3%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Cheyenne Giles has spent more than two decades behind the decks, building his sound where it matters most: in front of a crowd. Rooted in San Diego, Giles came up alongside Knock2—an early collaborator who lived with him for six years as the two made music and helped shape a new wave of dance music from the city That evolution became Big Room Bounce: house music filtered through hip-hop instincts, heavy drums and groove. The sound caught Tiësto’s attention, leading to releases on Musical Freedom before Giles found a new home with Steve Aoki’s Dim Mak His catalog includes “Make Me Feel” with The Chainsmokers, surpassing 20 million streams, official remixes for NGHTMRE and Gryffin, and a collaboration with Bleu Clair. He’s twice been named Remixer of the Year and landed in the DJ Mag Top 100, with support from Tiësto, Martin Garrix, The Chainsmokers and Loud Luxury Years on the road have taken Giles from Hakkasan and Brooklyn Mirage to Echostage, REBEL and New City Gas, with festival appearances at EDC Orlando, Beyond Wonderland and Veld. Those rooms remain the testing ground. The crowd decides what stays. Now that instinct is pulling the music somewhere new. Bass house, UKG swing and the rougher edges of club music are moving closer to the center. The grooves are looser, the choices less predictable, but the DNA hasn’t changed. It still comes back to what Giles has always done: make records that hit differently when the room is full. 📩 Management: Sujit1@skamartists.com

Updated Sep 20, 2026, 7:52 AM
First discovered Aug 18, 2026, 7:45 AM