Johann Georg Pisendel

Johann Georg Pisendel
Johann Georg Pisendel
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners4,985-2.1%7dListeners from Playlists3,250+2.8%7dChangeN/A—

4,938 – 5,091

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

DEBerlin, DE77
ESMadrid, ES66
AUSydney, AU63
NLAmsterdam, NL55
USNew York City, US54

Playlist Summary

Overview of this artist's relationship with playlists
655
Playlist adds
0
High-risk playlist adds
151,979
Playlist follower reach (sum)
3,250+
Listeners from playlists
Estimated
65.2%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
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Happened at

Biography & Metadata

Johann Georg Pisendel's father was the Cantor of the Lutheran Church in Cadolzburg, although the family originated in Markneukirchen. At the age of ten or 11, Johann Georg became a choir boy at the court of Ansbach. Such positions usually involved further musical training. He studied singing with Pistocchi, violin with Torelli, and Heinichen in composition. In 1673, he became a violinist in the court. He traveled to Leipzig for more studies in 1709, stopping off in Weimar to visit Johann Sebastian Bach. In Leipzig, he performed an Albinoni violin concerto at the collegium musicum and soon became a familiar part of Leipzig's musical life. In 1710, when collegium musicum director Melchior Hoffman went on a concert tour, he appointed Pisendel to substitute for him. In 1712, Pisendel found a position as a violinist at the Dresden court orchestra, but he also had opportunities to travel with the electoral prince. Between 1714 and 1717, he visited France, Berlin, and Italy. He was given leave to remain in Italy for nine months, during which time he studied with Vivaldi. He also had studies in Rome with Montanari. He did not do as much touring thereafter. In 1728, when the position became vacant, he was appointed concertmaster of the orchestra. He was considered the foremost German violinist of his time and was an admired orchestra director. He did not write much music, but what there is (all instrumental works) was of very high quality and is mostly in an Italian style influenced by Vivaldi.

Updated Nov 9, 2026, 5:45 PM
First discovered Sep 8, 2026, 11:50 AM