Christopher Williams

Christopher Williams
Christopher Williams
artist
artist.tools
Playlist Risks
Listeners
227,562/mo
Followers
239,514
Est. Royalties
$652 - $2,608/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
22
Albums
1
EPs
52
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Christopher Williams' most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

ZAJohannesburg, ZA9,590
USAtlanta, US5,542
USCharlotte, US4,590
USHouston, US4,489
USChicago, US4,479

Playlist Summary

Overview of this artist's relationship with playlists
13,299
Playlist adds
0
High-risk playlist adds
3,596,229
Playlist follower reach (sum)
84,900+
Listeners from playlists
Estimated
37.3%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Christopher Williams followed in the tradition of robust soul vocalists such as Teddy Pendergrass, Jeffrey Osborne, and James "D Train" Williams. The Virginia native, not only a singer but an arranger and producer as well, surfaced during the tail-end of the '80s, around the middle of the new jack swing era. "Talk to Myself" and "Promises, Promises," a pair of Billboard Top Ten R&B singles made with Timmy Gatling and Alton Wokie Stewart, marked his arrival. Those hits drove parent album Adventures in Paradise (1989), Williams' full-length debut for Geffen, to number 23 on the R&B album chart. His acting career began with New Jack City (1991), for which he was cast as an assistant to Wesley Snipes' lead character. Just as notably, Williams contributed "I'm Dreamin'," a number one R&B hit, to the film's certified platinum soundtrack. The singer moved to the Uptown label for Changes (1992), an album that generated another Top Ten R&B hit in "Every Little Thing U Do." Despite collaborations with DeVante Swing and Puff Daddy, the set didn't fully capitalize upon the success that preceded it. Williams changed labels once again for Not a Perfect Man (Giant, 1995). No major hits came from it, and Williams responded by concentrating on stage and small screen acting roles for the long term. On occasion, he recorded as an independent artist, as heard on Real Men Do (2001) and "Too Late" (2015). ~ Andy Kellman, Rovi

Updated Oct 2, 2026, 5:03 AM
First discovered Aug 23, 2026, 4:55 AM