Sam Beam

Sam Beam
Sam Beam
artist
artist.tools
Playlist Risks
Listeners
31,008/mo
Followers
12,296
Est. Royalties
$124 - $494/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
1
Albums
0
EPs
1
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Sam Beam's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB597
USSeattle, US401
USPortland, US397
AUMelbourne, AU387
USNew York City, US373

Playlist Summary

Overview of this artist's relationship with playlists
1,718
Playlist adds
0
High-risk playlist adds
216,351
Playlist follower reach (sum)
1,920+
Listeners from playlists
Estimated
6.2%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

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Biography & Metadata

Singer and songwriter Sam Beam became one of the leading voices of the indie folk scene in the 2000s with his work under the name Iron & Wine. Beam was born in Columbia, South Carolina on July 26, 1974; his mother was a schoolteacher and his father worked in land management. Beam received a B.A. in art from Virginia Commonwealth University, and went on to earn a Master of Fine Art in film from Florida State University. Beam was teaching filmmaking and cinematography in Miami when a friend lent him a four-track cassette machine, and he began recording songs he'd been writing for several years. Beam began passing cassettes of his work to his friends, including one to Michael Bridwell, brother of Ben Bridwell of Band of Horses. Bridwell liked it enough to give a copy to music writer and 'zine publisher Mike McGonigal. In 2000, McGonigal included Beam's song "Dead Man's Will" on a CD compilation included with the first issue of his magazine Yeti. Beam used the name Iron & Wine for the track, taken from an antique bottle of "Beef, Iron & Wine Tonic" he found while searching for props for a film. After Iron & Wine began earning a buzz in the indie folk underground, Beam's music came to the attention of Jonathan Poneman of Sub Pop Records. Poneman signed Iron & Wine to his label, and Beam's self-recorded debut, The Creek Drank the Cradle, was released in 2002. The Creek Drank the Cradle earned rave reviews, and Beam cut two more albums for Sub Pop, 2004's Our Endless Numbered Days and 2007's The Shepherd's Dog. Both albums boasted cleaner production and a stronger pop and rock undertow as Beam expanded his creative vision. During this period, Beam also appeared on albums by the Postal Service and the Six Parts Seven. And in 2005, Iron & Wine recorded a collaborative EP with the outstanding indie rock band Calexico, In the Reins. In 2008, Iron & Wine was embraced by a new audience when the song "Flightless Bird, American Mouth" appeared on the soundtrack of the hit film Twilight. (Iron & Wine had previously been heard on the television show Friday Night Lights and in Todd Haynes' film about Bob Dylan, I'm Not There.) The 2009 collection Around the Well collected various single sides, compilation contributions, and rarities from the Iron & Wine catalog. In 2011, Beam left Sub Pop Records for Warner Bros., and Iron & Wine's Kiss Each Other Clean, released that year, became his first major-label project. For 2013's Ghost on Ghost, Iron & Wine was bumped from Warner Bros. to the label's artist-friendly Nonesuch imprint. In 2015, Iron & Wine teamed up with Ben Bridwell for a collaborative album of covers, Sing into My Mouth. The following year, Beam released another tandem album, this time with singer and guitarist Jesca Hoop. For Love Letter for Fire, Beam used his own name rather than Iron & Wine, with Sub Pop releasing the album in April 2016. ~ Mark Deming, Rovi

Updated Oct 5, 2026, 6:46 PM
First discovered Sep 19, 2026, 3:38 PM