Nat Stuckey

Nat Stuckey
Nat Stuckey
artist
artist.tools
Playlist Risks
Listeners
7,582/mo
Total Streams
4,669,312
Est. Royalties
$27 - $107/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
23
Albums
2
EPs
5
Singles
4,669,312
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Nat Stuckey's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USDallas, US140
USHouston, US128
USSan Antonio, US97
USChicago, US91
USAustin, US84

Playlist Summary

Overview of this artist's relationship with playlists
1,022
Playlist adds
0
High-risk playlist adds
114,067
Playlist follower reach (sum)
480+
Listeners from playlists
Estimated
6.3%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Country songwriter and recording artist Nat Stuckey originally worked as a DJ before forming his first country band in the late '50s and becoming a regular on the Louisiana Hayride show. It was during this time that he was signed to the Paula label out of Shreveport, LA, and scored a minor hit with 1966's "Sweet Thang." His next hit came as a songwriter, however, when Buck Owens recorded "Waitin' In Your Welfare Line." Stuckey profited from the publishing royalties, and followed up with another big hit, writing "Pop a Top" as recorded by Jim Ed Brown. He recorded a few other hits such as 1968's "Plastic Saddle" and "Sweet Thang and Cisco," but he became known more as a songwriter than a performer in his own right. Stuckey later worked in commercials. ~ Steve Kurutz, Rovi

Updated Sep 30, 2026, 3:24 AM
First discovered Sep 1, 2026, 3:17 AM