Kano

Kano
Kano
artist
artist.tools
Playlist Risks
Listeners
212,472/mo
Total Streams
51,284,350
Followers
18,891
Est. Royalties
$647 - $2,590/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
11
Albums
5
EPs
17
Singles
51,284,350
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

DEBerlin, DE5,112
USLos Angeles, US4,447
MXMexico City, MX3,550
DEHamburg, DE3,439
DEFrankfurt am Main, DE2,961

Playlist Summary

Overview of this artist's relationship with playlists
15,016
Playlist adds
0
High-risk playlist adds
3,937,303
Playlist follower reach (sum)
70,660+
Listeners from playlists
Estimated
33.3%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Kano pioneered and exemplified Italo disco, a heavily melodic and synthesizer-oriented style of dance music inspired by U.S. and European disco, from Chic and Giorgio Moroder. The work of producers and musicians Matteo Bonsanto, Luciano Ninzatti, and Stefano Pulga, along with an array of session musicians and vocalists, Kano released a trio of album-length projects during the early '80s: Kano (1980), New York Cake (1981), and Another Life (1983). From a commercial standpoint, the group wasn't very successful. The effervescent "I'm Ready" (featuring a high-pitched group vocal) reached number 21 on the Billboard U.S. R&B chart, while "Can't Hold Back" (featuring powerful soul vocalist Glen White) reached number 35 on the same chart. In the group's homeland, three other singles charted, led by the swift disco-funk of "Baby Not Tonight" (another group vocal), a number three hit. Kano's impact was greater in underground clubs; three decades after release, the charting singles, as well as the likes of "It's a War," "Another Life," and "Dance School," remained popular with house and throwback-disco DJs, as well as compilation producers. Kano's greatest exposure, however disguised, came with Tag Team's 1993 Miami bass/pop-rap smash hit "Whoomp! (There It Is)," which sampled a synthesizer line from "I'm Ready." ~ Andy Kellman

Updated Sep 21, 2026, 12:34 PM
First discovered May 2, 2026, 3:49 AM