Sebastián de Vivanco

Sebastián de Vivanco
Sebastián de Vivanco
artist
artist.tools
Playlist Risks
Listeners
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

ESMadrid, ES66
GBLondon, GB39
ESBarcelona, ES29
MXMexico City, MX20
SEStockholm, SE13

Playlist Summary

Overview of this artist's relationship with playlists
229
Playlist adds
0
High-risk playlist adds
17,205
Playlist follower reach (sum)
80+
Listeners from playlists
Estimated
5.6%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Vivanco served as master of the chapel at Segovia Cathedral beginning in 1576 for several years. He wanted to serve in Avila which he was able to do from 1588 until 1602 when he went to Salamanca Cathedral. Vivanco composed approximately fifty motets as well as eighteen Magnificat settings. Ten motets published in "Antologia polifonica sacra" as well as the magnificats demonstrate Vivanco to have been an hallmark composer. He did not employ imitation and was abe to write complex canons. Masses which he composed show a facility with vocal arrangements writing independent parts. His harmonies were consistent with the conventions of the times even though he did use triads that were augmented. ~ Keith Johnson, Rovi

Updated Nov 5, 2026, 1:29 AM
First discovered Nov 4, 2026, 1:29 AM