Inga Copeland

Inga Copeland
Inga Copeland
artist
artist.tools
Playlist Risks
Listeners
139,451/mo
Total Streams
34,139,871
Followers
33,607
Est. Royalties
$546 - $2,184/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
2
Albums
1
EPs
2
Singles
34,139,871
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Inga Copeland's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USLos Angeles, US3,827
GBLondon, GB3,107
USNew York City, US2,372
AUMelbourne, AU1,927
USChicago, US1,833

Playlist Summary

Overview of this artist's relationship with playlists
1,886
Playlist adds
0
High-risk playlist adds
137,553
Playlist follower reach (sum)
560+
Listeners from playlists
Estimated
0.4%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Inga Copeland is an electronic and digital musician, currently releasing as Lolina. She was a member of the band Hype Williams between 2009 and 2013, collaborating with Dean Blunt on albums, EPs, CD-Rs, videos and performances. During this time she also recorded several solo EPs, with her final album under the Inga Copeland alias, “Because I’m Worth It” (2014), self-released after the split of the band. Her first album as Lolina, Live in Paris, came out as a full-length video in 2016. A departure from traditional release formats, sonically it was defined by a move to digital composition. Lolina's second album, The Smoke (2018), consolidated the songwriting techniques and musical arrangements of her EPs RELAXIN' with Lolina (2015) and Lolita EP (2017), including the use of presets, lo-fi drums, and half-sung half-spoken vocals. Lolina’s live performances evolved through experiments with DJ equipment. Using CDJ players to loop, scratch and manipulate her existing recordings, she developed an improvisational cut up style exemplified on her third album Live in Geneva (2019). Further trials with playback equipment and software led to the release of Who is experimental music? (2019).

Updated Oct 4, 2026, 9:19 PM
First discovered Sep 3, 2026, 6:05 PM