Sixten Ehrling

Sixten Ehrling
Sixten Ehrling
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Est. Royalties

Charts

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Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners1,408+0.1%7dListeners from Playlists007dChangeN/A—

Series

  • Monthly Listeners
  • Listeners from Playlists
  • Change

Discography

Their catalog as it appears on their public Spotify artist profile
28
Albums
2
EPs
3
Singles
1,817,081
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

SEStockholm, SE79
SEMalmö, SE31
SEGothenburg, SE30
FRParis, FR20
USNew York City, US19

Playlist Summary

Overview of this artist's relationship with playlists
3
Playlist adds
0
High-risk playlist adds
0
Playlist follower reach (sum)
0
Listeners from playlists
Estimated
0.0%
Of listeners from playlists
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Playlist Movement

Recent playlist add/remove events for this artist
Event
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Biography & Metadata

Sixten Ehrling was one of the most famous Swedish conductors. He studied violin and piano as a child. When he entered the Royal Academy of Music in Stockholm he continued with those instruments and also studied conducting and composition. He pursued conducting studies in London (with Albert Wolff) and in Paris. He briefly pursued the career of a concert pianist, but soon became an assistant to Karl Böhm in Dresden while also taking conducting lessons from him. He returned to Sweden as a coach at the Royal Opera, Stockholm, and made a conducting debut there in 1940. In 1942 he made his debut as a concert conductor in Göteborg (Gothenburg), soon leading to his appointment as music director of the Stockholm Concert Society. In 1953 he took the position of principal conductor and music director of the Stockholm Royal Opera. As such, he showed an interest in unusual repertory, and led productions of practically forgotten operas and bold new works, such as Blomdahl's Aniara, a science-fiction opera that was the first opera to include electronic music interludes. In 1954 he taught the course for conductors in the Salzburg Mozarteum. He retained his post at the Stockholm Royal Opera until 1960. Meanwhile, in 1963 he succeeded Paul Paray as music director of the Detroit Symphony Orchestra (through 1973). Beginning in that year he took a position teaching conducting at New York's Juilliard School and regularly conducting at the Metropolitan Opera. These associations lasted until 1987. He was music director of the Göteborg Symphony Orchestra (1974-1976), musical adviser and principal guest conductor of the Denver Symphony Orchestra (1978-1985) and artistic adviser of the San Diego Symphony (1985-1988).

Updated Nov 13, 2026, 3:02 AM
First discovered Sep 17, 2026, 9:56 PM