The Midnight Hour

The Midnight Hour
The Midnight Hour
artist
artist.tools
Playlist Risks
Listeners
2,647/mo
Followers
13,400
Est. Royalties
$9 - $35/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
0
Albums
0
EPs
0
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View The Midnight Hour's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB61
USLos Angeles, US56
BRSão Paulo, BR56
USNew York City, US37
DEBerlin, DE33

Playlist Summary

Overview of this artist's relationship with playlists
2,900
Playlist adds
0
High-risk playlist adds
674,414
Playlist follower reach (sum)
2,647+
Listeners from playlists
Estimated
100.0%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

The Midnight Hour is the work of Ali Shaheed Muhammad and Adrian Younge, accomplished producers whose self-titled 2018 album is synthesized orchestral soul and jazz as approached by golden-eared crate diggers. Known most for his membership in legendary rap group A Tribe Called Quest, Muhammad previously joined Younge -- familiar to deep listeners since his 2009 score for Black Dynamite -- on sessions for the likes of Souls of Mischief and Bilal. The two initiated the Midnight Hour in 2013 only to put the project on ice once they were commissioned to provide the score for the web television series Luke Cage. Eventually completed and issued in 2018 as a 20-cut double album, The Midnight Hour featured Raphael Saadiq, Laetitia Sadier, Bilal, and Marsha Ambrosius among its numerous guests. Not all of the songs were new. "Feel Alive," a duet between Karolina and Loren Oden, had previously appeared on a compilation from Younge's Linear Labs label, while the CeeLo Green collaboration "Questions" had formed the basis of track six on Kendrick Lamar's untitled unmastered. Even more remarkably, a reinterpretation of Luther Vandross' "So Amazing" applied the original, 30-year-old vocal recording with the blessing of the late singer's estate. ~ Andy Kellman, Rovi

Updated Sep 24, 2026, 6:39 AM
First discovered Aug 25, 2026, 6:32 AM