Cincinnati Pops Orchestra
Cincinnati Pops Orchestra
artist

Cincinnati Pops Orchestra

Playlist Risks
Listeners
195,630/mo
Est. Royalties
$627 - $2,508/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
85
Albums
0
EPs
0
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Cincinnati Pops Orchestra's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB2,492
AUSydney, AU1,661
CLSantiago, CL1,641
MXMexico City, MX1,583
USLos Angeles, US1,540

Playlist Summary

Overview of this artist's relationship with playlists
1,417
Playlist adds
0
High-risk playlist adds
64,483
Playlist follower reach (sum)
1,230+
Listeners from playlists
Estimated
0.6%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

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Biography & Metadata

The Cincinnati Pops Orchestra has roots going all the way back to the 1870s but was not officially distinguished from its parent organization, the Cincinnati Symphony Orchestra, until 1977. The early Cincinnati orchestra society programmed popular music concerts, and that continued with the Cincinnati Symphony, particularly under conductor Max Rudolf, who became its director in 1958. In 1965, Rudolf hired Erich Kunzel as assistant conductor and asked him to conduct the first "8 O'Clock Pops" concert. The "8 O'Clock Pops" series, held during the regular season, joined the CSO's summer "Concerts in the Park" series as the symphony's primary pops music vehicles, raising awareness of the organization through a broader audience. By 1977, the concerts were popular enough for the CSO board to create the subsidiary Cincinnati Pops Orchestra organization, naming Kunzel as its director. Kunzel led the Pops to a level of fame to rival that of the Boston Pops under Arthur Fiedler and John Williams. In addition to sold-out concerts in Cincinnati and appearances around the U.S. in places such as Carnegie Hall and the Grand Ol' Opry, he led it on several international tours, including to Beijing for the opening of the 2008 summer Olympics, and together they made several popular PBS television specials. Kunzel and the orchestra made 85 recordings for Telarc, beginning in 1978 with Tchaikovsky: 1812 Overture (although the Cincinnati Symphony received the credit). Their last together, released in 2009 -- the year of Kunzel's death -- was From the Top at the Pops. A preponderance of the recordings appeared in the Top Ten of the Billboard charts, with some of the most famous being Star Tracks (1984), Ein Straussfest (1985) and Ein Straussfest II (1993), Round-Up (1986), Chiller (1989), Christmas with the Pops and Fiesta! (both 1990), and Masters and Commanders (2005). In September 2011, John Morris Russell became the Cincinnati Pops Orchestra's director, taking up the baton to maintain Cincinnati's standing as a leader among the country's best pops orchestras. Under Russell, the orchestra has continued to record and tour, along with its standard concert schedule. In 2017, the orchestra tour took them to Shanghai and Taiwan. The Cincinnati Pops, under Russell, was nominated for a Grammy award in 2019 for American Originals: 1918, and can be heard on the 2019 album Voyage, both on the Fanfare Cincinnati label. ~ Patsy Morita, Rovi

Updated Sep 15, 2026, 8:42 PM
First discovered Aug 22, 2026, 8:36 PM