Diggs Duke

Diggs Duke
Diggs Duke
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners16,794+1.7%7dListeners from Playlists1,470+0.7%7dChange63.3—

Series

  • Monthly Listeners
  • Listeners from Playlists
  • Change

Discography

Their catalog as it appears on their public Spotify artist profile
14
Albums
5
EPs
4
Singles
13,131,287
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Diggs Duke's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB662
USLos Angeles, US280
AUMelbourne, AU250
AUSydney, AU240
NLAmsterdam, NL227

Playlist Summary

Overview of this artist's relationship with playlists
2,436
Playlist adds
0
High-risk playlist adds
439,894
Playlist follower reach (sum)
1,470+
Listeners from playlists
Estimated
8.8%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

I've always had a natural vocal ability and an interest in musical instruments. With assistance from family and an incomplete music degree, I was able to teach myself the foundations of composition and songwriting. My music spans many styles, borrowing largely from the disciplines of Ragtime and Western Classical music, to create a modern and distinct sound. With the digital release of “Gravity” in late 2011, I began a campaign of DIY production and promotion that led to my first live presentations of this music, at the MC Theatre in Amsterdam and DROM in New York City. The EP was reissued in 2016 and subsequently released on CD in Japan by Ultra-Vybe Recordings. The internationally-acclaimed “Offering For Anxious” was my widest reaching album, as it was released by Brownswood Recordings, the imprint of radio host and music presenter, Gilles Peterson. Although this album is responsible for the popularization of several new methods in the realm of songwriting and production, I do not consider it my best work. I suppose I’ll always reserve that honor for my most recent release. In 2018, Bandcamp recognized me with a Lifetime Achievement editorial. Now that I'm releasing music via Following Is Leading, albums like “Armoire” and “Scriabin” continue to engage the boundaries of acoustic and electronic music.

Updated Nov 10, 2026, 5:10 AM
First discovered Aug 30, 2026, 4:14 AM