Filah Lah Lah

Filah Lah Lah
Filah Lah Lah
artist
artist.tools
Playlist Risks
Listeners
63,852/mo
Total Streams
4,625,714
Followers
25,086
Est. Royalties
$159 - $635/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
1
Albums
3
EPs
5
Singles
4,625,714
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

ZAJohannesburg, ZA4,133
GBLondon, GB2,046
ZAPretoria, ZA1,251
ZACape Town, ZA1,084
USLos Angeles, US1,005

Playlist Summary

Overview of this artist's relationship with playlists
1,106
Playlist adds
0
High-risk playlist adds
99,606
Playlist follower reach (sum)
420+
Listeners from playlists
Estimated
0.7%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Filah lah lah is a singer/songwriter from Pretoria, South Africa. Her father was an avid lover of music, with tastes ranging from Jazz to funk – he made it a point for black music to pour into his children’s ears. 
At quite an early age, Filah was introduced to phenomenal jazz musicians, the likes of Nina Simone, Miles Davis, and John Coltrane, as well as the greats of rhythm and blues; Marvin Gaye, Betty Wright and Smokey Robinson to name but a few. Till this day, the artists whom she grew up listening to, influence not only her music, but her artistry in general. 
90’s hip hop music was also played at high volumes in the house, much to her benefit of course, because she attributes the genre as one of her major influences. 
 “I was always different. In the way I thought, played, dreamt, spoke, looked. It’s contextual but there’s never been a moment in my life where I didn’t feel “other”. Music allows me to be “other”. It allows me to make the constant decision to be who I really am”, she says. 
She made her debut with the release of her EP, titled “Filahsofy” produced by Mike Kalombo. The project harnessed a sense of vulnerability and rawness that added to its still existing charm. She returned with a second body of work, titled “We’re Gonna Be Just Fine”. It takes on a more ambient and harmonic tone, challenging its listeners to get lost in it. She continues to explore the diversity of her sound and challenge the status quo.

Updated Nov 1, 2026, 10:40 PM
First discovered May 1, 2026, 8:58 PM