Annie Moscow

Annie Moscow
Annie Moscow
artist
artist.tools
Playlist Risks
Listeners
1,897/mo
Est. Royalties
$3 - $12/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
5
Albums
0
EPs
5
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Annie Moscow's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

CLSantiago, CL78
MXMexico City, MX60
NGLagos, NG45
PELima, PE35
MXGuadalajara, MX25

Playlist Summary

Overview of this artist's relationship with playlists
245
Playlist adds
0
High-risk playlist adds
275,000
Playlist follower reach (sum)
1,897+
Listeners from playlists
Estimated
100.0%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Annie Moscow is a contemporary poet, songwriter, part-time comedian, and occasional philosopher. She writes intimate, visual songs that often explore what others think but don’t dare say. Her performances draw audiences into unexpected emotional spaces and leave a lasting impression. Originally from New York, she began as a classical pianist before writing for film, TV, and artists including Sarah Vaughn, Sister Sledge, and Mickey Mouse. In 1992, she wrote the lyrics to Kathy Sledge’s hit single, “All of My Love,” and in 2007 co-wrote Disney’s top-selling Halloween card, “They Don’t Scare Me.” In 2001, Annie debuted as a solo artist with “Wolves At My Door,” which The Washington Post called: “Annie Moscow is rewriting the rules.” She’s since released four more albums — “Visible,” “Phoenix,” “Passing Trains,” and “Land of Dreams” — and created seven one-woman shows for the Herberger Theater in Phoenix, Arizona. 2026 has marked a new chapter, with four songs and four sides of her artistry: the intimate “Hey Jo,” the emotionally precise “Seasons of Our Love,” the percussive, celebratory “4th of July,” and now “Fields of Gold". Her piano and vocal take on the Sting classic, with Wesley Skinner on cello and John Herrera on percussion, is warm, unhurried, and made for fall listening.

Updated Nov 2, 2026, 9:12 PM
First discovered Feb 2, 2026, 11:49 AM